Thursday, February 23 2012
Books have a long shelf-life. A loved book may outlast its original owner by a generation – or more -- if well cared for. With that in mind, we recall our best loved books of 2011 here, well into 2012. Better late than never...
Thursday, May 5 2011
Despite or even because of its jumble of missing pieces, half-finished recordings, garbled chronologies of composition or performance -- the basement tapes can begin to sound like a map; but if they are a map, what country, what lost mine, is it that they center and fix?
Sunday, October 24 2010
"Few if any American cultural historians take the great deep American Breath like Greil Marcus," writes Robert Loss. With his latest, Bob Dylan by Greil Marcus: Writings 1968-2010 in mind, we’re pleased to have Marcus back with us, this time in the playful framework of PopMatters 20 Questions.
Sunday, April 25 2010
Greil Marcus on Van Morrison, the yarragh, the blues, the memoir, race, authenticity, imagination, his career and what constitutes 'high stakes' criticism.
Thursday, February 4 2010
The entirety of Marcus' famous 1970 "What is this shit?" review prefigures the sense of profound, disturbed wonder in the best of Marcus’ criticism.
Tuesday, December 6 2011
Apparently seeking to account for every important rock act of the '60s, Greil Marcus turns his critical attention to the Doors.
Sunday, April 18 2010
This is the story of a burly monk in shades, of flesh chasing the divine, of a voice ecstatic in southern blues and gospel and Celtic mysticism.
Monday, January 14 2013
This is Greil Marcus: he views the end of the ’60s and the start of the ’70s through the changing aesthetics of the Rolling Stones, and offers his most tender response when asked about, in this case, Elvis. But when asked about himself, he just shuts down.
Thursday, July 14 2011
Bob Dylan and his compatriots found the hidden republic, the place where playing a blues, a railroad song and murder ballads provides access to the old, weird America.
Wednesday, February 13 2008
Convinced as I was by Marcus' readings, I couldn't help noticing that the primary subjects of all four chapters were works produced by white men: Philip Roth, David Lynch, Bill Pullmanm and David Thomas.
Thursday, May 19 2005
Like a Rolling Stone is not great cultural analysis or musical study, but it's a work that's both insightful and fantastic.