Attacking both state socialism and market capitalism, expressing the rage of those growing up in one system and suddenly under another, the urgency reminded me of Joyce and Pynchon more than Topol's Prague predecessor, Kafka.
David Bowie: Who Can I Be Now? (1974/1976)
Erroll Garner: Ready Take One
Ways of Seeing Kate Bush
Play Out the Play: Orson Welles’ Chimes at Midnight
Hieroglyphic Being: The Disco's of Imhotep
On Friedrich Nietzsche's Early Intellectual, Emotional, and Spiritual Development
The Frightnrs: Nothing More to Say
"One tends to watch this film open-mouthed in wonder at the forceful dialogue, the colorful imagery, and the sheer emotional punch of its women.