Kelly Reichardt
Features // 6 Articles
Columns // 1 Articles
Reviews // 6 Articles
Blogs // 1 Articles
News // 2 Articles

The Best Films of 2014
29 Dec 2014 // 8:06 PM

Spanning a Truffaut-indebted magnum opus to a comeback vehicle for Michael Keaton, this collection of films is an eclectic representation of 2014's best.

The 40 Best Films of 2011
22 Jan 2012 // 3:00 PM

2011 was a year of good, not necessarily great, films, though the amazing choices by our staff might argue against such a overall cinematic classification.


In Defense of Kelly Reichardt's Directorial Touch
2 Dec 2013 // 8:30 PM

Kelly Reichardt has established herself as a singular and essential voice in modern cinema by being a master of the miniature, a maestro of The Moment.


'Night Moves' Depicts the Blindness and Violence of Ideology
9 Sep 2014 // 8:10 PM

Never once do Night Moves's three lead characters genuinely consider the ramifications of what they're doing. Naturally, they can't foresee their downfall.

'Night Moves' Is Kelly Reichardt's Latest Portrait of Americans Lost
6 Jun 2014 // 6:00 AM

Political disaffection and engagement, personal dedication and distrust.


New York Film Festival: Kelly Reichardt's Meek's Cutoff
3 Nov 2010 // 12:30 AM

Kelly Reichardt's Meek’s Cutoff is an outsider's Western. If we were looking for a female counterpart to Gus Van Sant, I think we may have found her.


'Meek's Cutoff' director Kelly Reichardt creates poetry on the prairie
25 Apr 2011 // 5:36 AM

MINNEAPOLIS — We're accustomed to stories about the settling of the American West being told in a certain way. There will be resolute men sitting on

Michelle Williams gets to the heart of a forlorn character in 'Wendy and Lucy'
28 Jan 2009 // 9:47 PM

Only a few minutes into "Wendy and Lucy," there's no doubt that Michelle Williams - playing a hard-luck vagabond stuck in a Pacific Northwest town

//Mixed media

Because Blood Is Drama: Considering Carnage in Video Games and Other Media

// Moving Pixels

"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.

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