Love Is All remains determinedly buoyant on its sophomore album, hiding disappointment in veiled reference, and undermining the brightness of its melodies with the trademark atonal screech of saxophone and guitar.
David Bowie: Who Can I Be Now? (1974/1976)
Erroll Garner: Ready Take One
Ways of Seeing Kate Bush
Play Out the Play: Orson Welles’ Chimes at Midnight
Hieroglyphic Being: The Disco's of Imhotep
On Friedrich Nietzsche's Early Intellectual, Emotional, and Spiritual Development
The Frightnrs: Nothing More to Say
"Sometimes stories need to end badly in order to be really good.