Sunday, October 2 2011
The very roughness of the film clarifies that none of the seeming rules and refinements mean anything. Except that there is no end of costs -- for Omar Khadr, his interrogators, the Canadian government, or the U.S., no matter how it imagines itself.
Wednesday, June 22 2011
This precise, impassioned portrait of post-9/11 collateral damage is exactly the sort of exposé that the Human Rights Watch Film Festival is designed to showcase.