Michel Hazanavicius
Features // 3 Articles
Reviews // 7 Articles
Blogs // 2 Articles
News // 1 Articles
//Features

The 40 Best Films of 2011
22 Jan 2012 // 4:00 PM

2011 was a year of good, not necessarily great, films, though the amazing choices by our staff might argue against such a overall cinematic classification.

The Best Male Film Performances of 2011
17 Jan 2012 // 4:00 PM

In another strong year, crime and punishment take on heart and heroism for the right to be called 2011's best male film acting work.

//Reviews

TIFF 2017: Le Redoutable
11 Sep 2017 // 6:30 AM

Blinded by love for Godard, Le Redoutable is an uncritically sexist bore.

Cannes 2017: Radicalism and Other Crankiness in 'Redoubtable' & 'The Meyerowitz Stories'
25 May 2017 // 9:30 PM

In these films, Noah Baumbach's understanding of New York City's intellectual scene exceeds Michel Hazanavicius' grasp on film history.

//Blogs

The Resounds of Silents
20 Jan 2012 // 7:00 AM

Can a film without dialogue earn Oscar accolades? Most definitely. Can it please audiences? Well...

Art-Official: 'The Artist'
26 Dec 2011 // 2:00 AM

The Artist (is) a good film with some great moments and two excellent lead performances, but if that is the mandate for a movie's position as the year's top achievement, there are hundreds of similar entries that deserve such a status.

//News

Oscars 2012: Five directors, five approaches
27 Jan 2012 // 6:35 AM

LOS ANGELES — They have worked in diverse disciplines — acting, screenwriting, theater, television, exploitation films — were born in three countries and have made radically dissimilar movies.

//Mixed media
//Blogs

NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

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