No literally, it’s the sound reel from the film.
Ikeda produces an album to remind listeners that all digital music is data.
Instead of a modern studio, one imagines the tracks on Dataplex having been constructed inside an industrial cleanroom of the same type that manufactures microprocessors and semiconductors.
David Bowie: Who Can I Be Now? (1974/1976)
Erroll Garner: Ready Take One
Ways of Seeing Kate Bush
Play Out the Play: Orson Welles’ Chimes at Midnight
Hieroglyphic Being: The Disco's of Imhotep
On Friedrich Nietzsche's Early Intellectual, Emotional, and Spiritual Development
The Frightnrs: Nothing More to Say
"In Reveal the Deep, the light only makes you more aware of the darkness