Call for Essays About Any Aspect of Popular Culture, Present or Past

Simon Reynolds

Features

Wednesday, April 2 2008

Live Fast, Die Young, or Get Off the Stage

Why wouldn't they burn out instead of fade away? Berman examines the sad spectacle of punk-rock reunions and shows how they destroy the two elements that actually made punk attractive: sex appeal and impermanence.


Columns

Sunday, November 27 2011

Simon Reynolds Redux: A Conversation from the Past About Post-Punk

Simon Reynolds discusses Joy Division and The Ramones, sex and politics, and punk's blatant localism and latent racism around the time of the release of Rip It Up and Start Again: Postpunk 1978-1984.


Reviews

Sunday, August 7 2011

'Retromania': You’d Throw It Against the Wall If You Weren’t So Immersed in It

Retromania is about the anxiety of influence; how our present moment is feeding into it, how it emerged framed as a historical inevitability, and how its necrotic collateral is any futurism that may have the audacity to disregard the past.


Thursday, October 20 2005

Rip It Up and Start Again: Post-Punk 1978-1984 by Simon Reynolds

Focusing primarily on British and American music between 1978 and 1984, Reynolds emphasizes the idea that the glossed-over post-punk years were not marginal to the history of rock: they actually spawned a range of sounds that were more revolutionary than punk itself and that left a far more significant legacy, laying the foundations for the subsequent emergence of alternative music in all its myriad forms.


Blogs

Sunday, June 26 2011

Retromania Vs. Innovation: An Interview with Simon Reynolds

PopMatters talks with music critic Simon Reynolds about his new book Retromania: Pop Culture’s Addiction to Its Own Past, as well as the modern state of pop futurism, the changing nature of music criticism, and the post-punk historian's favorite '80s alt-rock bands.


Now on PopMatters
PM Picks
Announcements

© 1999-2014 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.