On the Bright Side, Sasu Ripatti always has a couple of killer tracks up his sleeve. On the downside, he's juggling so many projects that he risks losing these killer tracks amidst the other just-adequate output.
Philip Glass Balances the Matter-of-Fact With the Metaphysical in 'Words Without Music'
GNOD: Infinity Machines
'Exile on Kalamazoo Street' Echoes in Literature Form the Genius of Theatre
Cannes 2015: 'Saul Fia', 'Mon Roi', and the Politics of Award-Giving
Olivia Chaney: The Longest River
Snarky Puppy & Metropole Orkest: Sylva
Cannes 2015: 'Dheepan' and 'The Lobster' Depict Different Kinds of War
Cannes 2015: Women Resist Their Masters in 'Sicario' and 'The Assassin'
"The charisma of Giuliano Gemma and some stellar action sequences can't save this sub-par spaghetti western.