Until Sean O’Hagan is gutsy enough to put his feelings into the foreground, The High Llamas will remain little more than background music.
Shooting Back: Kamel Daoud's Reply to Albert Camus' 'The Stranger'
Graham Parker and the Rumour: Mystery Glue
Philip Glass Balances the Matter-of-Fact With the Metaphysical in 'Words Without Music'
GNOD: Infinity Machines
'Exile on Kalamazoo Street' Echoes in Literature Form the Genius of Theatre
Cannes 2015: 'Saul Fia', 'Mon Roi', and the Politics of Award-Giving
Olivia Chaney: The Longest River
Snarky Puppy & Metropole Orkest: Sylva
"Get a drink, have a good time now. Welcome to paradise, and read all about the 305th most acclaimed album of all time. An Australian plunderphonics pioneer is this week’s Counterbalance.