John Wesley Harding's fascinating confluence of literature, music, and theater explores the nature of ye olde British folk songs with a mostly a cappella recording of grim standards and smart originals.
David Bowie: Who Can I Be Now? (1974/1976)
Erroll Garner: Ready Take One
Ways of Seeing Kate Bush
Play Out the Play: Orson Welles’ Chimes at Midnight
Hieroglyphic Being: The Disco's of Imhotep
On Friedrich Nietzsche's Early Intellectual, Emotional, and Spiritual Development
The Frightnrs: Nothing More to Say
"One tends to watch this film open-mouthed in wonder at the forceful dialogue, the colorful imagery, and the sheer emotional punch of its women.