Austin singer-songwriter duo Penny and Sparrow move from delicate folk to rough-edged Americana on their new album.
On this new track rapper Sean Anonymous takes a break for a bit of slow jam.
Janiva Magness has built a career on the intersections of genres, seamlessly blending blues, Americana, country, pop, and most importantly soul into her own unique sound.
Throwing Shade critiques the phony plasticity and the anti-intellectualism of social media most effectively on "hashtag IRL".
Wire meets the Fluid on the most postmodern release Sub Pop has offered thus far.
Moderat return with a swirling techno soundscape that evokes Trentemøller’s music as much as it does In Rainbows-era Radiohead.
The woozy chords at the heart of “Navy & Cream” sound like Wham’s “Everything She Wants” at half speed.
Beyoncé's "Formation" is Black Pride incarnate, and it’s exactly what we needed to hear right now.
Chris Hunt juxtaposes wide cinematic flourishes with elements of jaggy noise that almost create a heavy metal effect in his productions.
Jessy Lanza manages to take us to a bunch of interesting sonic places as she effortlessly transitions from section to section.