The Moving Pixels podcast revisits the muddled, half crazed genius of Suda 51's Killer 7.
Aliens: Colonial Marines is a fantastically flawed game.
At the same time you are learning about the collective mind of the aliens, you are coming to resemble it. I tried to play the shell game of remembering which version of my avatar was my "real" body, but it soon proved futile. So many clones are created, swapped into, and discarded that the idea of having one true self becomes untenable.
Space Lawyer is a science fiction story set in Charleston, South Carolina that engages with the classic themes of Southern Gothic in radical ways.
The playwright, Jean Cocteau, said, “Emotion resulting from a work of art is only of value when it is not obtained by sentimental blackmail.” The Last of Us is an example of such a crime.
We demand much from the world while rarely giving anything back. We steal from homes, we kill civilians, we decimate entire towns, and we break economies. We're gamers.
That powerful and important social concepts can permeate such a diverse group of games is a testament to our very human desire to examine big ideas through play.
Suda 51's games are smart, and, of course, annoying as hell, due to the frequency of repetitive tasks and the banal nature of such activities. Often enough, Suda's goal in game design seems not to be in facilitating a fun experience for the player but to troll his own audience. And I kind of love him for it.
Religion occasionally gets some lip service when games attempt to flesh out a world, but the deeper issues that guide people to their faith -- the quest for meaning in the universe -- is rarely explored in games. Game worlds operate in systems of miracles, but churches, heroes, and gods within them are treated in a purely utilitarian manner.
Another day, another zombie apocalypse. However, when Uncharted developer Naughty Dog is orchestrating that apocalypse, it may be worth taking a look at.