Blindman is a triumph that flawlessly blends the tenets of trash cinema with the virtues of the spaghetti western.
Black Widow may very well be the pinnacle of the modern action heroine, so why is there so much backlash about her role in the new Avengers film?
January through April is a time typically made up of award season leftovers, pre-summer spectacle, and more than a few throwaways. Here are PopMatters' choices for the best and worst of the last four months.
This flick is a superficial but eye-popping survey for armchair nature tourists.
Paddy Chayefsky's adaptation of Marty may be a period piece, but it's a heck of a piece nonetheless.
Look at the faces on you, ya ding-a-lings! Double Take flies over the Cuckoo's Nest this week. Medication time, everyone.
Although Old Hollywood tried its darnedest to shoehorn great African-American performers as secondary players, in the otherwise blasé Irene, those players steal the show.
This past week, two trailers dropped for a pair of the most highly anticipated films of the next year. In the end, only one truly triumphed.
With the birth of home video, filmmakers have been able to tinker with their vision. Here are ten examples, however, of where their original endings were changed before said movies were released.
Double Take looks at the men, the machine, the Moloch, the maiden, the master, and Metropolis as we attempt to find the intermediary heart between the Expressionism and politics.