Eugenio Martin's 1966 spaghetti western is a thrill ride all the way to the close, which features one of the most dramatic death scenes in the genre.
Nasty Habits tries too hard to be a Nixonian allegory set in a pseudo-convent, forcing its plot parallels onto places they don't belong.
These two Arsène Lupin pictures give viewers a glamorous look at the lives of jewel thieves, with sparkling dialogue and double-crosses abound.
There are only 364 days left until next Halloween, so get prepared to face the real horrors of the world with these ten titles.
These two versions of the minor classic character Raffles are two peas -- or pearls -- in a pod.
For a genre that rarely deviates from the cyclical and the tried and true (torture porn this time around, '70s throwback terror another), Horns is a welcome bit of weirdness.
The first Saw is really a whodunit. The next six are all about the "why".
James Wan and Leigh Whannell didn't start off the Saw series with a focus on the gory "games", but these 10 examples of Jigsaw's various traps explain the franchise's enduring fear factors.
The Death Kiss brings the Dracula gang (Bela Lugosi, David Manners, and Edward Van Sloan) back together.
As long as it avoids anything closely resembling the real world, Ouija works. Not as horror, but as a cautionary example as to why "gotchas" don't necessarily equal scares.