The 11th song on American Idiot, "Wake Me Up When September Ends" is arguably the most multifaceted and emotionally powerful composition on the album.
Well, I remember seein’ some ad so I turned on my Conelrad but I didn’t pay my Con Ed bill so the radio didn’t work so well. Turned on my record player—it was the 929th most acclaimed album of all time. Dylan's 1963 breakthrough is this week's Counterbalance.
Weezer's new album, Everything Will Be Alright in the End, walks the tenuous line between redressing the band's follies and giving in to banal fan service.
Heartbreak, rejection, and rebellion collide in catchy, affective, and brilliant fashion on the ninth and tenth tracks from Green Day's 2004 masterpiece.
Don't save the complaints for a party conversation. The world is loaded—it's lit to pop and nobody is gonna stop talking about the 420th most acclaimed album of all time. Further dispatches from the Alternative Nation in this week’s Counterbalance.
The just-unveiled ballot for next year's Rock and Roll Hall of Fame induction class attempts to honor Generation X as well as continue to rectify past oversights.
Amidst tragedy and controversy throughout the month, September also offered up some more great k-pop, especially from veteran groups like 2PM, T-ara, and Girls' Generation-TTS.
The seventh and eighth tracks on American Idiot solidify Jesus' transformation into St. Jimmy, as well as introduce the woman who holds onto his heart like a "hand grenade". It's emotional, powerful, and very catchy.
And though they were sad, the 137th most acclaimed album of all time rescued everyone. They lifted up the sun. A spoonful weighs a ton. A 1999 neo-psychedelic masterpiece is this week's Counterbalance.
It's been more than a year since My Chemical Romance decided to lay down their instruments, and PopMatters looks back on some of their finest moments.