It would be interesting to hear back from PopMatters' esteemed readership about the best singular musical moments that you can remember.
"Long Distance Drunk" may be the weakest track on The Lonesome Crowded West, but it proves its merit when taken on its own.
Hip-hop makes its debut on The Big List with Public Enemy’s meaty, beaty manifesto, and all the jealous punks can’t stop the dunk. Counterbalance’s Klinger and Mendelsohn give it a listen.
Painfully earnest and soberly overwrought, for one album and one song in particular Live managed to convincingly sell the drama.
The boy band is dead! Long live the boy band!
After releasing one of 2010's most overlooked albums, Canada's greatest indie/rap/quirk-pop outfit sit down with PopMatters to discuss places not on Google Maps, the greatness of Kids in the Hall, and why eating food generally prevents death.
"Out of Gas" sees Modest Mouse writing the kind of track that would later bring them wider success and the ire of many critics and longtime fans: a pop song. For the record, it's a good thing.
"Jungleland" employs the epic, almost operatic strategy Bruce Springsteen developed on the first two albums, but this is at a whole other level.
As Zola Jesus, musician Nika Roza Danilova has come off as a mysterious figure, thanks in part to her music's dark, brooding sound. In a conversation with PopMatters, she reveals that the distinction between Zola Jesus and Niki Roza is not an easy one to make.
Gerry Rafferty died too young, embittered and ravaged by alcoholism, added to the strange but poignant list of people we’ve never met but still miss. He leaves behind a perfect song, an aching, sad, beautiful story attached to a sax solo forever lodged in the right brains of millions of music fans.