Musically, “Girls! Girls! Girls!” is a taut, stretched rubberband of a song that comes so close to snapping but never does -- a kind of sonic blue-balling -- refusing to offer any sense of release as Phair expertly weaponizes her sexuality.
As Hov readies the release of Magna Carta Holy Grail, it's time to take a look at the 20 best songs his career has offered so far.
This special edition of Between the Grooves celebrates and examines the classic “Fuck and Run” by inviting a panel of women introduced to the song and its creator during the very period Liz Phair is singing about, navigating the rocky terrain of romantic relationships, self-respect, and everything in between.
Day of judgement, God is calling. On their knees the war pig's crawling, begging mercy for their sins. Satan laughing spreads his wings, probably listening to the 135th most acclaimed album of all time. Oh lord yeah!
For good or bad, Miley Cyrus' latest music video marks the final move for the hipster sub-culture (with its appropriated hip-hop imagery) into the mainstream.
He's a brilliant guitarist, a frighteningly good electronic producer, and he may have just released his best album yet. Bibio talks about about the greatest Cocteau Twins album of all time, recreating Withnail & I in his daily life, and how everyone, everywhere, should be listening to Alan Watts.
After a week of listening to, reading about, and thinking about Kanye West's Yeezus, we take stock of where we are.
With “Mesmerizing”, something’s changed in Guyville -- and what better way to prove that than to show us all the ways nothing has changed at all?
Is this the real life? Is this just fantasy? Is this the 134th most acclaimed album of all time? Apparently so. Scaramouche, scaramouche, will you do the fandango? That’s up to you. Queen’s 1975 blockbuster is this week’s Counterbalance.
In anticipation and celebration of Exile in Guyville’s 20th anniversary, Sound Affects shares its picks for the top five Girly Sound tracks, the record that formed the blueprint for Exile and later portions of Liz Phair's output.