You should know compared to people on a global scale our kind has had it relatively easy. Jason Isbell gets that -- and a lot more as well. His 2013 release is this week’s Counterbalance.
The press is buzzing about YouTube's threat that it will remove content by labels that do not agree to the terms of its forthcoming subscription-based service. Is this good for YouTube?
Dolly Parton was perhaps the first country mega-star, and the first to successfully cross-over into the world of pop music. Today, we celebrate her 10 finest achievements as a performer, plus another one that we simply couldn’t forget to mention.
For the last proper song on The Beach Boys Today, Brian Wilson and the Beach Boys craft their most inventive and sublime track to date, "In the Back of My Mind".
Ultraviolence benefits not only from stronger song craft, but also from tasteful production that sustains a mood befitting Lana Del Rey’s postmodern Nancy Sinatra shtick.
This week’s Counterbalance looks at a 2004 release from a relatively obscure Columbus band, hoping to gain an understanding of acclaim and success from a somewhat different perspective.
Blue Note, one of the foremost jazz record labels, is celebrating its 75th anniversary with a vinyl initiative, releasing highlights from its massive catalog over the course of two years. Here are some picks to get you started.
Glenn Tilbrook is back with his latest, Happy Ending, and some quips for PopMatters 20 Questions.
Likely the first song written for The Beach Boys Today!, "She Knows Me Too Well" is surprisingly sophisticated and unique.
Hey, how you doing. Sorry you can't get through. Why don't you leave your name and number and I'll get back to you. In the meantime, a 1991 hip-hop milestone is the week's Counterbalance. You could read that.