Tortoise's music is nearly impossible to pin down. So, let's try to do just that, shall we?
David Woll's Transit is a perplexing and beguiling album that explores a lonely life on the road travelled by the strange, the hopeful, and the hopelessly lost.
Capping off the eminently diverse Houses of the Holy is the riff-loaded “The Ocean”, a Zeppelin classic that reminds us that no matter how far the band may veer off into other realms, when it comes down to it, rock and roll is their brand of noise pollution.
You lively up yourself and don't be no drag. You lively up yourself, 'cause this is the other bag -- the 117th Most Acclaimed Album of All Time. Bob Marley makes his first Counterbalance appearance with his 1974 breakthrough.
With the February 25th release of Steven Wilson’s third solo LP The Raven That Refused to Sing (and other stories) approaching, PopMatters looks back on Wilson’s storied career to pick out ten of his strongest recordings, ranging from beautiful works of ambience to transcontinental art rock.
The proto-doom metal masterpiece "No Quarter" is a classic case of a brilliant track that becomes even more enormous in its live incarnations.
The 116th Most Acclaimed Album of All Time would like to go to Spain or somewhere like that, with its two-tone bible and its funny cigarettes; its suntan lotion and its castanets. Counterbalance is waiting for the end of the world.
From mournful laments to giddy, knees-up swoons and everything in between, in observance of Valentine's Day Sound Affects runs down the choice love songs from post-punk's most capable romantics.
The two-time winner of Best Pop Artist at the Toronto Independent Music Awards, alternative soul singer Lori Nuic is a rising star.
"D'Yer Mak'er" concludes the controversial middle section of Houses of the Holy in an uproarious fashion. With this song Led Zeppelin proves that for every Tolkien reference, there's a corresponding joke—and a pretty damn good one at that.