Though not from the Mary Chain's most acclaimed album, 1989's "Head On" is one of the band's better offerings, a classic example of how the proper amount of attitude can elevate a song.
The 159th most acclaimed album of all time is flirting around. Flirting and flirting, hurting too. This week's Counterbalance loves its lovin', but not like it loves its freedom.
After the surprise release of quite possibly her best album to date, it's time to have a look at the tracks that propelled this R&B darling into super-stardom.
An exploration of love in the time of political unrest, Light Sweet Crude is Vanessa Daou’s musical thesis on regained emotional ground, a desire line carved from the departure point of doubt to the destination of self-made reality.
Lashing out the action, returning the reaction. Weak are ripped and torn away. Hypnotizing power, crushing all that cower. The 158th most acclaimed album of all time is here to stay. A 1986 metal landmark is this week's Counterbalance.
Perhaps because it represented his formation as a solo artist, his manifestation of “Lou Reed”, as opposed to “Lou Reed and the Velvet Underground”, Reed owned the '70s more than any other decade.
Kiss has authored numerous crowd-pleasing rockers, but don't overlook how good their late-'70s disco detour is.
It’s an anti-war song, with the answer being “love”, period.
All I need is a little sign to get behind this sun and cast this weight of mine. All I need is the place to find, and there I'll celebrate the 157th most acclaimed album of all time. '90s French electronica pioneers are this week's Counterbalance.
On this track, Prince seems slightly more interested in the video-recording than in the act itself. “Doesn’t my body look good in the shadows?”, he asks her.