Some fans may prefer the slow-baked emotional trouncing of the band's early years, while others may prefer the fuzz and buzz of its rockier mid-era riots. Either way, Cathedral was a hugely influential band then, and will remain so long into the future. Here are five formidable (and ear-splitting) reasons to mourn Cathedral's passing.
From knocking indie music scene bad boys, to riffing on the tales of Salome and John the Baptist, to re-appropriating the most taboo of anatomical vulgarities, “Dance of the Seven Veils” is a testament to the cunning complexities of Liz Phair’s composer mind.
The 129th most acclaimed album of all time comes to you on a summer breeze, keeps you warm in your love, and then softly leaves. Call it the night fever, but the Bee Gees et al are the subject of this week's Counterbalance.
Minimalist, Mohawked Orange County Rocker Davis Fetter delivers a well-produced, powerful and pleading new single, equal parts crooning and driving rock.
On Boogie Down Productions' "My Philosophy", rapper KRS-One was as lyrically poignant as he's ever been, delivering rhymes that are just as relevant today as they back in 1988.
This week's installment of Between the Grooves' journey to Guyville takes a deeper look at the brilliant sequencing of "Help Me Mary" and "Glory", the former's uncommon, spite-work prayer segueing masterfully into the spiritual and sexual awakening of the latter.
Venture my way into the dark where we can sweat. One takes the 128th most acclaimed album by the hand. Animal Collective’s indie rock sensation is the focus of this week’s Counterbalance.
“The Weather” is the dreamy and evocative final track on Built to Spill's 2001 release Ancient Melodies of the Future, and it's a song that's certainly no "dud".
As a young man, Billy Bragg reinvented punk rock with songs as fiercely political as they were emotional. Three decades after he released his first album, PopMatters counts down his ten best outings from those early years.
“6’1””, the rollicking first chapter in the Exile in Guyville odyssey, thrums with cutting wit and palpable angst—the perfect introduction to Liz Phair’s unique brand of musical storytelling.