From classic stalker hits to contemporary indie, PopMatters presents stalker hits that will make you laugh, shiver, and lock your doors. Maroon 5, get away from that beauty queen of only 18.
Critics' darling Lori Carson has been offering her small and devoted fanbase quiet bliss with her emotionally-textured and intimate songs over the last two decades. But just recently, Carson turned to her other love of literature. With her first novel, she delves even further into a strange and still familiar world -- one that her haunting music has often explored.
The final two songs on Together We’re Stranger are the album’s most straightforward. The first of these, “Back When You Were Beautiful”, is a great example of Tim Bowness' literary eye, with some tragicomic instrumentation from Steven Wilson providing a unique and perplexing background to these mournful lyrics.
"Albums just aren't the same today", I hear every mother say. Mother needs something today to calm her down. The 125th most acclaimed album of all time ought to do it. What a drag it is getting old.
On the eve of the long-lived Canadian trio's induction into the Rock and Roll Hall of Fame, Sound Affects attempts to coerce newbies into the vast, rewarding, fun, and often beautiful Rush back catalog with this selection of songs.
With over three decades of classics behind them and a new album (their 14th) out this year, Curt Kirkwood talks to PopMatters about The Wizard of Oz, the art on chili cans, and the eternal wisdom of Popeye...
"Photographs in Black and White", the longest song on the Together We're Stranger album, is one part introspective Americana and another part ominous drone. It's about how nostalgia so often gives way to darkness.
I saw your girlfriend and she was eating her fingers, just another meal. But she waits there in the levee wash, mixin' cocktails with a plastic tipped cigar and listening to the 124th most acclaimed album of all time.
Harmony Korine’s film plays games with both the audience’s and the character’s perception of reality, fantasy, and familiarity. The various ways the music is employed throughout the film helps confuse, disorient, or ground us, and the play between diegetic and non-diegetic music brings us in and out of the characters’ perspective.
For listeners aching to hear more blues-inflected female pop à la Adele, look no further than this rising American singer-songwriter.