The sumo wrestler suits are still awesome.
If we’re to properly consider “Explain It to Me”, one of the most beloved tracks on Liz Phair’s Exile in Guyville, we must put it into relationship with its preceding number, “Soap Star Joe”, an oft-forgotten, discordant ditty that has all the charm and seriousness of a spaghetti western.
The purple piper plays his tune, the choir softly sing. Three lullabies in an ancient tongue, for the court of the crimson king. A 1969 progressive rock milestone is the 131st most acclaimed album of all time.
To celebrate the National's new record, Trouble Will Find Me, we count down frontman Matt Berninger's best lyrics.
It’s only fitting then that “Never Said”, the lead single from Exile in Guyville and the track ostensibly chosen to introduce Liz Phair to the world, would be a song where she repeatedly, defensively, and sometimes unconvincingly swears that she “never said nothing”.
You told me to leave you alone. My father said come on home. My doctor said take it easy. But the pull of the 130th most acclaimed album of all-time is much too strong. A 1968 soul classic is this week's Counterbalance.
Some fans may prefer the slow-baked emotional trouncing of the band's early years, while others may prefer the fuzz and buzz of its rockier mid-era riots. Either way, Cathedral was a hugely influential band then, and will remain so long into the future. Here are five formidable (and ear-splitting) reasons to mourn Cathedral's passing.
From knocking indie music scene bad boys, to riffing on the tales of Salome and John the Baptist, to re-appropriating the most taboo of anatomical vulgarities, “Dance of the Seven Veils” is a testament to the cunning complexities of Liz Phair’s composer mind.
The 129th most acclaimed album of all time comes to you on a summer breeze, keeps you warm in your love, and then softly leaves. Call it the night fever, but the Bee Gees et al are the subject of this week's Counterbalance.
Minimalist, Mohawked Orange County Rocker Davis Fetter delivers a well-produced, powerful and pleading new single, equal parts crooning and driving rock.