In its depiction of a botched suicide, "The Ocean Doesn't Want Me" conjures goosebumps, accelerates heartbeats, and leaves a seasick queasiness in the listener.
The 102nd most acclaimed album of all time knew all the right people, took all the right pills. Counterbalance gives it a listen to see if it was all just wasted time.
Here be a few brief bits and pieces that, when you add them up, don’t really amount to much. Sorry, but whaddayagonnado?
Last week, the Rock and Roll Hall of Fame announced the 15 contenders vying to be inducted as part of its Class of 2013. By adhering to the Hall's broad definition of rock 'n' roll and by trying to objectively apply its induction criteria, Sound Affects has narrowed down the choices to five artists it would vote for if it could.
Shonen Knife's Naoko Yamano dishes the goods on J-rock, the Ramones, and candy.
With “Who Are You”, Tom Waits scales back the world-reckoning themes of Bone Machine’s previous tracks, internalizing the despair to make one of the album’s most emotionally devastating songs.
Counterbalance leaves the Top 100 with an album that everyone knows about, from the Queen of England to the hounds of hell. The black math of the Great List gives us Jack and Meg's 2003 bellwether at #101.
The newly-announced ballot for the next class of Rock and Roll Hall of Fame inductees not only seeks to rectify long-standing slights but lets the public have a say for once. Here's hoping it doesn't go all pear-shaped.
Henry Rollins is embarking on tour, but this time it's more than music: this time out, Henry Rollins is talking about the joys of capitalism, and why we need to remember how important it is leading up to the election. He tells PopMatters all about his venture ...
Tori Amos is as known for her soulful covers as she is her original material, tapping into the essence of another artist’s words with as much -- and sometimes even more -- respect and authority as its creator. PopMatters offers a small sampling of some of her most compelling reinterpretations.