It goes like this: the fourth, the fifth, the 69th most acclaimed album of all time. Counterbalance looks at this hallmark of the ’90s in their ongoing attempts to understand the Great Music Canon.
Pop diva Whitney Houston's death this past weekend was sad, yet not wholly unexpected -- nor were the efforts to instantly beatify the singer, a response common in regards to celebrities who die prematurely and as a result of their own appetite for destruction.
The first decade of the new millennium proved to be a fruitful time for great progressive rock. While some of prog’s most legendary bands took turns for the worse, others rose to meteoric prominence.
She's a pianist, a singer, and a part-time punk bandleader who managed to garner interest from the likes of P. Diddy and more on her quest for true soulfulness. Sitting down with PopMatters, Brown tells us all about her journey towards getting here.
Coming after the aggressive intensity of the end of “The Sounds of Science”, “3-Minute Rule” seems slight, like the Beasties went on a mini-vacation.
Counterbalance is a concept by which we measure the most Acclaimed Music of all time. This week, number 68 -- the first time an ex-Beatle makes the Great List.
Unlike potboiler musicians with kiss-off egos, the Shadow proves that Blank Generation music was open-ended and robust, a welcome home to punk brands of all stripes.
In the wake of Madonna'a ostentatious Super Bowl halftime performance, PopMatters presents a rundown of the Queen of Pop's 15 finest singles.
Hundreds of disposable cameras? Alter-egos known as "Captain Tipsy"? Determining what makes a Tickhead? All in a day's work for Deer Tick, who tells PopMatters all about it while still basking in the critical glow of its latest disc.
“The Sounds of Science” is essentially a three-movement suite about hip-hop bravado. Rarely has science sounded hipper.