Among all the fervent eulogizing of the late LCD Soundsystem, a backlash has kicked up some funereal dirt. So, where to lay the band to rest -- with the hippest of the hip, or the bright-but-empty space with most of the other Madison Square Garden clientele?
“Little Baby”, penned by Willie Dixon, is a well-crafted, catchy pop tune with clever lyrics, and Howlin’ Wolf sounds like he’s having a great time with it. You’d never guess that his partnership with its writer was so fraught with anger and resentment.
Some Smiths records are bigger than others -- The Queen Is Dead, for example, comes in at No. 28 on the Acclaimed Music list of the Greatest Albums of All Time. Bigmouths Klinger and Mendelsohn strike again with another edition of Counterbalance.
Despite its new album's title, LMFAO will not apologize for party rocking; before the group party rocks this year's Bamboozle Festival however, SkyBlu answered PopMatters' famed 20 Questions, and revealed a TV show might be in the works . . .
Bill Fay brought forth folk visions of a turbulent future with the enigmatic Time of the Last Persecution.
Prior to the single’s February 1993 release, Nirvanamania was still riding high, as evidenced by the Christmastime arrival of the rarities collection Incesticide to satiate fans eagerly awaiting a new studio album. So what did the group follow that with? A rarity!
“Wang Dang Doodle”, one of the hardest-rocking tracks on Rocking Chair, celebrates extreme, even violent pleasure. Howlin' Wolf sings it with gusto, but he actually hated the song.
With over 140 trillion copies sold, it’s no surprise that Michael Jackson’s 1982 album Thriller would wind up on Acclaimed Music’s Big List. Counterbalance’s Eric Klinger and Jason Mendelsohn would just as soon not be startin’ somethin’, but here we are.
Having long destroyed the notion that they are a mere "actor band", 30 Seconds to Mars top off its year by headlining the Bamboozle festival, all while guitarist Tomo Milicevic reveals his powers of astral projection and a love for Ayn Rand . . .
Has there been anything else remotely akin to the waste of potential, time, and opportunity that we’ve had the last two decades with Eddie Van Halen?