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PopMatters seeks several essayists who are interested in writing regular, alternating essays on a range of topics in electronic music for the monthly electronic music column, The Difference Engine.

As a magazine of cultural criticism, PopMatters bridges academia and popular culture with smart, entertaining and well-researched writing. PopMatters columns are a minimum of 1,200 words and are broad in scope. We encourage the discussion of ideas over focusing on individual artists (we do a fine job of that in Interviews). See published installments of The Difference Engine here.

by Karen Zarker

23 May 2013


Ethan Hawke in Michael Almereyda's Hamlet (2000)

PopMatters seeks feature essays (min. 1,200 words - no max. limit) arguing the pros and cons of anachronism in film, literature, video games, music and other products of pop culture.

In commemoration of the 20-year anniversary of the release of ‘Enter the Wu-Tang (36 Chambers)’, PopMatters is inviting submissions for a special section devoted to all things Wu. Essays run 1,200-3000 words on any aspect of the album, on the individual MCs, the RZA’s production techniques, Wu culture, the Wu-Tang as a business model, the legacy of 36 chambers, and anything else that fits.

DVDs

Pitch Deadline: None. This is a standing call.
Contact: Karen Zarker
Email: zarker at popmatters dot com

PopMatters has many connections with DVD distributors in the UK. We’re looking for UK-based folks to pen reviews on current DVD releases, as well as to write feature articles on aspects of UK film and TV culture and history.

Flash Points provides a critical overview of cultural trends and developments. As the title indicates, Flash Points is a direct response to issues raised within the media. It critically covers topics with a broad purview, ranging from latest news to new film trailers.

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