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by PopMatters Staff

31 Aug 2015

PopMatters (est. 1999) is a respected source for smart long-form reading on a wide range of topics in culture. PopMatters serves as a bridge between academia and popular culture. Thus, our articles are written in an engaging style that is both entertaining and erudite, yet free of stiff and cloistered academic language, and of course, far removed from the novice, the hype and the naiveté that crowds online media.

PopMatters articles appeal to cultural omnivores, historians, pop culture enthusiasts and intellectuals and geeks of many stripes. Our essayists approach their subjects with a strong respect for and knowledge of history—and with an eye toward where they think we may be heading next.

Feature essays are a minimum of 1,200 words, and there is no maximum limit, so long as the essay warrants the length. You may pitch a single essay, or a series of articles. We’d love to hear your ideas.

by Dawn Eyestone

6 Aug 2015

Deadline for essay pitches: Friday, September 11th
First drafts: Friday October 23rd
Final essay: Friday, November 13th
Submit your pitches to: PopMatters’ editor Dawn Eyestone [email protected]; cc: [email protected]
Email subject line: Harryhausen SFX Legacy

Although filmmaker and special effects pioneer Ray Harryhausen officially retired from feature filmmaking in the ‘80s, his legacy continues on the set of B-movie films and Hollywood blockbusters alike. Even filmgoers who’ve never heard of Harryhausen are likely familiar with his film techniques and might recognize one or two of his creations. Without Harryhausen’s creatures in Clash of the Titans, film geeks everywhere would be without the battle cry “Release the Kraken!” Without Harryhausen’s development of stop-motion filming, how would George Lucas have made Luke Skywalker run across a frozen wasteland on the back of a fictitious Tauntaun? Without Harryhausen’s monstrous inspiration, would Spielberg’s Jaws have been as terrifying?

by PopMatters Staff

2 Jun 2015

These are perfect positions for people who work at other magazines in specific markets who want to add PopMatters to their rosters, MBA students, and people with relationships in the entertainment industries who are looking for extra income. These are commission-based positions.

Familiarity with PopMatters editorial is a must, as is a full understanding of our publishing mission.

Please send your resume to PopMatters Editor & Publisher, Sarah Zupko at at editor (at) and Managing Editor, Karen Zarker at zarker (at) Email subject line: PopMatters Advertising Sales Rep.

by PopMatters Staff

17 Oct 2012

Flash Points provides a critical overview of cultural trends and developments. As the title indicates, Flash Points is a direct response to issues raised within the media. It critically covers topics with a broad purview, ranging from latest news to new film trailers.

by Karen Zarker

21 Jan 2010

The Absinthe Drinker (partial) by
Viktor Oliva

Pitch Deadline: None. This is a standing call.
Contact: Karen Zarker
Email: zarker at popmatters dot com

There was a time, late 19th/early 20th century or thereabouts, when people, many of them the fashionable French, ventured out to public establishments to imbibe in, among other things, an herbal/licorice/mind-bending brew distilled from the essence of the inelegantly named ‘wormwood’ plant, which resulted in the poetically named ‘absinthe’ cocktail. Deep within absinthe’s perplexing, complex concoction the “Green Fairy” resided. She is named the “Green Fairy” due to her glowing color and the muse-like inspirations she cast upon some suggestible minds (many quite famous minds, at that). Indeed, absinthe was a fashionable drink among the Parisian artist and intellectual class. You know; those Bohemian-types that so raise the ire of the uptight, fuddy duddy social conservatives and prohibitionists that exist in all societies throughout the world, throughout all time.

//Mixed media

Notes, Hoaxes, and Jokes: Silkworm's 'Lifestyle' - "Ooh La La"

// Sound Affects

"Lifestyle's penultimate track eases the pace and finds fresh nuance and depth in a rock classic, as Silkworm offer their take on the Faces' "Ooh La La".

READ the article