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by PopMatters Staff

8 Sep 2016


From Primary Colors (1998)

The US presidential election of 2016 is scheduled for 8 November 2016, where the 45th President of the United States will likely be determined. Discussions and debates surrounding the event have been charged, to say the least. This is an excellent opportunity to cut through the hype and the rhetoric to explore the nature and depictions of elections, both within reality and in fiction.

To be a part of this historic conversation, PopMatters seeks submissions about elections in popular media, including but not limited to: presidential elections as they are represented in the media, political elections within film and television; high-school / sorority elections in media; film policy shifts, pledges, and promises; award voting controversies; the sci-fi and western genres and elections; nominated / randomly / unwittingly selected participants; and electoral commentary in videogames, cartoons, literature and other media.

by PopMatters Staff

22 Aug 2016


PopMatters (est. 1999) is a respected source for smart long-form reading on a wide range of topics in culture. PopMatters serves as a bridge between academia and popular culture. Thus, our articles are written in an engaging style that is both entertaining and erudite, yet free of stiff and cloistered academic language, and of course, far removed from the novice, the hype and the naiveté that crowds online media.

PopMatters articles appeal to cultural omnivores, historians, pop culture enthusiasts and intellectuals and geeks of many stripes. Our essayists approach their subjects with a strong respect for and knowledge of history—and with an eye toward where they think we may be heading next.

Feature essays are a minimum of 1,200 words, and there is no maximum limit, so long as the essay warrants the length. You may pitch a single essay, or a series of articles. We’d love to hear your ideas.

by Dawn Eyestone

6 Aug 2015


Deadline for essay pitches: Friday, September 11th
First drafts: Friday October 23rd
Final essay: Friday, November 13th
Submit your pitches to: PopMatters’ editor Dawn Eyestone [email protected]; cc: [email protected]
Email subject line: Harryhausen SFX Legacy

Although filmmaker and special effects pioneer Ray Harryhausen officially retired from feature filmmaking in the ‘80s, his legacy continues on the set of B-movie films and Hollywood blockbusters alike. Even filmgoers who’ve never heard of Harryhausen are likely familiar with his film techniques and might recognize one or two of his creations. Without Harryhausen’s creatures in Clash of the Titans, film geeks everywhere would be without the battle cry “Release the Kraken!” Without Harryhausen’s development of stop-motion filming, how would George Lucas have made Luke Skywalker run across a frozen wasteland on the back of a fictitious Tauntaun? Without Harryhausen’s monstrous inspiration, would Spielberg’s Jaws have been as terrifying?

by PopMatters Staff

2 Jun 2015

These are perfect positions for people who work at other magazines in specific markets who want to add PopMatters to their rosters, MBA students, and people with relationships in the entertainment industries who are looking for extra income. These are commission-based positions.

Familiarity with PopMatters editorial is a must, as is a full understanding of our publishing mission.

Please send your resume to PopMatters Editor & Publisher, Sarah Zupko at at editor (at) popmatters.com and Managing Editor, Karen Zarker at zarker (at) popmatters.com. Email subject line: PopMatters Advertising Sales Rep.

by PopMatters Staff

17 Oct 2012

Flash Points provides a critical overview of cultural trends and developments. As the title indicates, Flash Points is a direct response to issues raised within the media. It critically covers topics with a broad purview, ranging from latest news to new film trailers.

//Mixed media
//Blogs

I'm Going to Kill You: 'Johnny Guitar' Gets the Class Treatment

// Short Ends and Leader

"One tends to watch this film open-mouthed in wonder at the forceful dialogue, the colorful imagery, and the sheer emotional punch of its women.

READ the article