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(If you are interested in pitching a review of some specific current work or performance, please contact the appropriate section editor.) We prefer careful analysis of the chosen subject matter with the intention of supporting an original thesis; we aren’t particularly interested in articles that merely want to promote their subject. An assessment of what ideological work a given pop culture phenomenon performs (i.e. what has allowed something to become popular, what’s at stake in its popularity besides money, how it is situated in a historical or geographical context, etc.) is especially welcome. Ideally essays will draw on sophisticated interpretive strategies derived from a theoretically informed point of view, but will be presented for a general reader in lively, accessible language.

For examples of the diversity of topics and range of approaches we welcome, please have a look at PopMatters features and columns archives.

With the intent of providing continued intelligent and entertaining content in the PopMatters’ Columns section, we are looking to broaden our staff of columnists and the voice of our writers’ community. We’re particularly interested in writers who live and work outside of the US, but that is not a deciding factor; in all cases, no matter the writer’s locale, we’re looking for those who can approach an array of cultural subject matter from their patch of the world with an international sensibility; that is, contextualize the local with an awareness of its place, historical and current, in the broader world.

Qualified writers are already readers of PopMatters (as but one vital supplement in their varied intellectual diet). They are familiar with the work of our current columnists, as well as other areas of the magazine, and they have a solid sense of what we’re looking for in content and caliber in these essays. We deliberately use the terms “essays” and “columns” interchangeably; as pieces are broad in scope yet grounded in real-world examples, and they are tied to regular deadlines and an established identity (and therein lay the “columnist” element). With these expectations in mind, we have monthly and every-other-month column slots available. Suitable writers are dedicated to regular deadlines and enjoy participating in friendly, ongoing communications with their editor.

by Karen Zarker

23 May 2013


Ethan Hawke in Michael Almereyda's Hamlet (2000)

PopMatters seeks feature essays (min. 1,200 words - no max. limit) arguing the pros and cons of anachronism in film, literature, video games, music and other products of pop culture.

DVDs

Pitch Deadline: None. This is a standing call.
Contact: Karen Zarker
Email: zarker at popmatters dot com

PopMatters has many connections with DVD distributors in the UK. We’re looking for UK-based folks to pen reviews on current DVD releases, as well as to write feature articles on aspects of UK film and TV culture and history.

by PopMatters Staff

30 Sep 2011


Informed, intelligent, engaged and engaging writing (ergo, engaged thinking) is the hallmark of PopMatters. Our writers are cultural generalists with a broad range of interests; thus, our scope is broadly cast on all things pop culture. However, you don’t always have to write a 2,500-word essay to capture (and keep) our interest. PopMatters blogs, which are very popular with our hip, informed readership, run the gamut of topics in culture, and we’re looking for people who love to blog about all the world’s cultural offerings. Indeed, we encourage you to explore all mediums, and express most thoughtfully on all that you see, hear, read, play, watch, do.

//Blogs

The Best and Worst Films of Spring 2015

// Short Ends and Leader

"January through April is a time typically made up of award season leftovers, pre-summer spectacle, and more than a few throwaways. Here are PopMatters' choices for the best and worst of the last four months.

READ the article