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by PopMatters Staff

17 Jul 2015


PopMatters is looking for talented music writers.

We’re looking for talented writers with deep genre knowledge of music and its present and past alongside a cultural generalist perspective with strong interests in many areas of culture.

 

MUSIC REVIEWS/FEATURES

Regular CD reviews run 500-700 words and display a knowledge of music history and real genre expertise, rather than simply “I like this” or “I hate that”. They should employ a smart look at the music within its larger cultural contexts. Capsule reviews run between 100-150 words.

by PopMatters Staff

3 Jun 2015


PopMatters (est. 1999) is a respected source for smart long-form reading on a wide range of topics in culture. PopMatters serves as a bridge between academia and popular culture. Thus, our articles are written in an engaging style that is both entertaining and erudite, yet free of stiff and cloistered academic language, and of course, far removed from the novice, the hype and the naiveté that crowds online media.

PopMatters articles appeal to cultural omnivores, historians, pop culture enthusiasts and intellectuals and geeks of many stripes. Our essayists approach their subjects with a strong respect for and knowledge of history—and with an eye toward where they think we may be heading next.

Feature essays are a minimum of 1,200 words, and there is no maximum limit, so long as the essay warrants the length. You may pitch a single essay, or a series of articles. We’d love to hear your ideas.

by PopMatters Staff

13 Feb 2014


With the intent of providing continued intelligent and entertaining content in the PopMatters’ Columns section, we are looking to broaden our staff of columnists and the voice of our writers’ community. We’re particularly interested in writers who live and work outside of the US, but that is not a deciding factor; in all cases, no matter the writer’s locale, we’re looking for those who can approach an array of cultural subject matter from their patch of the world with an international sensibility; that is, contextualize the local with an awareness of its place, historical and current, in the broader world.

Qualified writers are already readers of PopMatters (as but one vital supplement in their varied intellectual diet). They are familiar with the work of our current columnists, as well as other areas of the magazine, and they have a solid sense of what we’re looking for in content and caliber in these essays. We deliberately use the terms “essays” and “columns” interchangeably; as pieces are broad in scope yet grounded in real-world examples, and they are tied to regular deadlines and an established identity (and therein lay the “columnist” element). With these expectations in mind, we have monthly and every-other-month column slots available. Suitable writers are dedicated to regular deadlines and enjoy participating in friendly, ongoing communications with their editor.

by Karen Zarker

28 Jan 2014


Grunge audio speaker image from Shutterstock.com.

PopMatters seeks several essayists who are interested in writing regular, alternating essays on a range of topics in electronic music for the monthly electronic music column, The Difference Engine.

As a magazine of cultural criticism, PopMatters bridges academia and popular culture with smart, entertaining and well-researched writing. PopMatters columns are a minimum of 1,200 words and are broad in scope. We encourage the discussion of ideas over focusing on individual artists (we do a fine job of that in Interviews). See published installments of The Difference Engine here.

by Karen Zarker

23 May 2013


Ethan Hawke in Michael Almereyda's Hamlet (2000)

PopMatters seeks feature essays (min. 1,200 words - no max. limit) arguing the pros and cons of anachronism in film, literature, video games, music and other products of pop culture.

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