PopMatters is on a short summer publishing break. We resume Monday, July 6th.
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PopMatters (est. 1999) is a respected source for smart long-form reading on a wide range of topics in culture. PopMatters serves as a bridge between academia and popular culture. Thus, our articles are written in an engaging style that is both entertaining and erudite, yet free of stiff and cloistered academic language, and of course, far removed from the novice, the hype and the naiveté that crowds online media.
PopMatters articles appeal to cultural omnivores, historians, pop culture enthusiasts and intellectuals and geeks of many stripes. Our essayists approach their subjects with a strong respect for and knowledge of history—and with an eye toward where they think we may be heading next.
Feature essays are a minimum of 1,200 words, and there is no maximum limit, so long as the essay warrants the length. You may pitch a single essay, or a series of articles. We’d love to hear your ideas.
These are perfect positions for people who work at other magazines in specific markets who want to add PopMatters to their rosters, MBA students, and people with relationships in the entertainment industries who are looking for extra income. These are commission-based positions.
Familiarity with PopMatters editorial is a must, as is a full understanding of our publishing mission.
Please send your resume to PopMatters Editor & Publisher, Sarah Zupko at at editor (at) popmatters.com and Managing Editor, Karen Zarker at zarker (at) popmatters.com. Email subject line: PopMatters Advertising Sales Rep.
PopMatters is looking for talented music writers.
We’re looking for talented writers with deep genre knowledge of music and its present and past alongside a cultural generalist perspective with strong interests in many areas of culture.
Regular CD reviews run 500-700 words and display a knowledge of music history and real genre expertise, rather than simply “I like this” or “I hate that”. They should employ a smart look at the music within its larger cultural contexts. Capsule reviews run between 100-150 words and writers are expected to write both long reviews as well as capsules, and keep up with tight deadlines.
Feature pieces are in excess of 1,200 words and look at a particular artist, genre, trend or happening within the music world. They also look at the intersection between music and other cultural forms such as film, TV, multimedia, fashion, and politics. These pieces can include artist interviews and profiles of an exceeding smart and critical nature.
Pitch Deadline: 4 April 2015
First Drafts: 20 May 2015
Final Essay Deadline: 15 June 2015
Contact: Erin Giannini and Karen Zarker
Email: [email protected] / [email protected]
Email subject line: Doctor Who: Contents & Contexts
Doctor Who holds the distinction of not only being the longest running sci-fi series, but also one of the longest running prime-time series, ever. While numerous scholarship (both academic and non) has examined both the original series (1963-1989) and the rebooted series (2005-present), we are seeking to examine the historical and cultural contexts of the series, including topics such as the “missing” episodes, the show’s place on the BBC, its global transmission, and branding of the series. (We will not be covering analyses of fandom or individual episodes.)
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