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Tuesday, Aug 5, 2014
PopMatters takes a look at Fall 2014's new Tuesday shows that will be competing against TV’s highest-rated series.

Despite the old adage that Thursdays are “Must See TV”, you could make the argument that Tuesdays are now TV’s biggest night, due to such hits as NCIS, The Voice, and last year’s big breakout, About A Boy. But for every hit, there are plenty of misses, and last year’s cancellations left plenty of room on the schedule for new TV series. So which of these new shows is actually worth your time? And who dares to challenge TV’s highest-rated show? Read on to find out.


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Monday, Jul 28, 2014
Why is it that broader culture doesn't give victims of disaster and trauma the choice to say "No?"

In 1994, not long after Susan Smith was arrested and convicted of drowning her two children in John Long Lake in South Carolina, her estranged husband, David Smith, sat down for an exclusive, one-on-one television interview. The interview was emotional and traumatizing. 


And completely unnecessary. 


Still, I’m not at all surprised that it happened.


Tagged as: reality tv
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Tuesday, Jul 22, 2014
by Miles Layman
The tech mecca of Dallas gets plenty hot, and as AMC's Halt and Catch Fire attests, the heat is equally matched by tech industry intrigue.

The business of television is ever changing in the dog days of summer. Producers will jockey with network execs for renewal, showrunners will settle into the fateful writer’s room to shape their show’s future, and Jack Bauer is now opting to save England from annihilation—but still somehow doing it with only a flip phone and concealed pistol at his disposal.


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Friday, Jul 11, 2014
Sometimes, reality TV lives up to its name and casts "by the numbers". Most of the time, however, it casts according to race and sexual orientation.

Since their launch onto the American television landscape (c. 2000, with the debut of season one of Survivor), the great appeal of reality TV programs have been their promise of unpredictability. 


For various generations raised on television (which, at the moment, is almost everyone), so many fictional series had, by the time of reality TV’s arrival, become so predictable that it created a chasm large enough for reality to root itself and foster, offering up an unexpected type of TV where villains often triumphed (see: Richard Hatch in Survivor‘s first season), “good guys” had feet of clay, and “right” and “wrong” became irreparably muddled.


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Thursday, Jul 10, 2014
Because female relationships are rarely depicted well on television, Orange Is the New Black stands out from the norm.
Above: Publicity still by Jill Greenberg © 2013


Much has already been written about the excellent female representation in Orange Is the New Black, and rightfully so. A great deal of that praise owes itself to the variety of relationships portrayed between the different kinds of women in the series. Because female relationships are rarely depicted in layered, multifaceted ways on television, Orange Is the New Black immediately stands out.


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