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Wednesday, Sep 9, 2009

Are you hunting Yeti for business or pleasure? Do you have any Chupacabra or Sloth Monsters to declare? Have you accepted any gifts from Swamp Dinosaurs, Bat Demons or Devil Worms while traveling?


The questions Josh Gates encounters when flying across the world for fun and adventure are slightly more exciting than what the rest of us have to answer at the airport. Still, even though the third season of his hour-long show Destination Truth premieres Wednesday, Sept. 9 on the Syfy Channel, the gig of monster-hunting host hasn’t become mundane.


Since June 2007, Gates has traveled to remote, off-the-grid locales with a small crew to investigate claims of encounters with beasts that could take a bite out of Bigfoot and Nessie. As if that wasn’t enough, his repertoire has recently extended to exploring curses and ghosts – and his adventures with the unknown all occur after he deals with known dangers. But Gates is an affable guy who, at 32 years-old, sports a professorial-meets-adventurer look. Not completely unlike another such explorer who favors a whip and fedora, Josh Gates has learned to take life-threatening work environments in stride.


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Monday, Aug 31, 2009

If you’re like me, then you’re beyond excited to see the cast of Seinfeld reunited during the seventh season of Curb Your Enthusiasm.


And that is why I suggest some contemplation to quell, or curb, your excitement. Let’s take some time to think about Seinfeld, which is, in essence, the founding father show of Curb. That is, Curb is almost a spinoff of Seinfeld. An actual spinoff (like The Jeffersons from All in the Family) isn’t necessary in order to consider the origin of certain story elements. 


I think most sitcoms can be traced to some of the iconic shows from the 1950s. For Seinfeld, I think it’s important to recall The Honeymooners.


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Friday, Aug 28, 2009

So much of The Wire is about watching the characters make things up. Beginning with season one, Lieutenant Daniels, the detail he supervises, their purpose and even their basement location, all come together during the process of the story. 


In Season two, the self-starter-ness of the characters moves every major part of the story; from the fact that Major Valchek wants Frank Sobotka to be convicted of something (he knows not what), to Nick Sobotka’s entrepreneurial venture into the business of heroin dealing. 


Season three takes the make-it-up-on-your-own notion to a whole new level with Major Colvin’s decriminalized drug zone, known as Hamsterdam. We are also introduced to a new and very compelling character Dennis “Cutty” Wise who starts his own boxing gym.  It is in this season where Sergeant Ellis Carver forges a new relationship with the corner dealers.


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Monday, Aug 24, 2009
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In times of happiness and despair, I find myself returning to my pink, velvet-bound Sex and the City box set. Before you start assaulting my virile masculinity, or judging me for clinging onto passé cultural nuances, I think it is important to assert that Sex and the City (1998-2004), now that’s the TV show, not the movie(s), is a timeless cultural by-product.


The term ‘by-product’ is key here because the programme’s success is ultimately put down to the fact that it was a masterwork of self-reflexive puns, clichés and popular assumptions. It embraced glamorized notions of the everyday, and illuminated them into a bustling fantasy-world that everyday boys and gals could quote, imitate or joke about, whilst refilling their empty bottles at the water cooler.


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Sunday, Jul 26, 2009

Picture the following situation. You catch a bus to go home after a hard day’s work, pay the fare and take a seat. Suddenly there are sirens everywhere, a blinding flash of light, and a series of incredible jolts and accelerations. The next thing you know you’re stranded in an area of absolute desolation with death on the horizon.


Now while this is quite normal for American users of public transport, Britain is a green and pleasant land, so it’s a bit of a shock for the Doctor and his fellow passengers.


So what is the Doctor doing on a London double decker bus? It turns out he’s tracking a newly opened wormhole and the bus he was riding just drove through it. So now the Doctor and his fellow passengers are all stuck on the Planet of the Dead in a wrecked bus. Since there aren’t any Americans with public transport experience around, they are left to their own devices.


Luckily, the passengers turn out to be pretty resourceful. The better half of a sweet old couple from Brixton has psychic ability. There are two likely lads who start repairing the bus. And there’s a mysterious and aristocratic lady in a tight leather body suit who used diamond earrings as bus fare. She’s Lady Christina (Michelle Ryan), and has just stolen a very precious artifact from a museum. Half of the police in London were chasing her when she boarded the bus.


The London police may have their faults but they do know what to do when a double decker vanishes into thin air. They call in the normally hapless but always well intentioned folks at UNIT. UNIT is the United Nation alien rapid response team and this time they have a really good mad scientist, Dr. Malcom Taylor (Lee Evans), on staff.


All of this talent is going to be tested to the full as the Doctor has to cope with crashed alien spacecraft, a disgruntled alien crew, a rapidly growing wormhole and metallic, and planet chewing space locusts. Indeed, it’s a great show, which manages to duplicate some of the sense of joyful adventure from the old Tom Baker days. It’s the combination of the fast pace, originality and happy go lucky style that makes Doctor Who: Planet of the Dead one of the best adventures that any of the Doctors has had.


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