Latest Blog Posts

by Evan Sawdey

24 Jun 2015

Rudy (Ari Millen) and Helena (Tatiana Maslany) sharing a fitting goodby
e in Orphan Black: Season Three

It’s hard to believe we are now three full seasons in to the story of Sarah Manning (the still Emmy nomination-less Tatiana Maslany) discovering that she is, in fact, a genetic clone. Her copies are numerous, just as are the parties interested in cracking their genetic code, ranging from the biotech conglomerate Dyad to the fierce religious faction known as the Proletheans. By the end of the second season, it was revealed that one of the Proletheans, Mark Rollins (Ari Millen) was, in fact, part of a series of male clones, themselves developed under the name Project Castor, and in season three, the war between the male clones and Sarah and her sisters wages on, the chief antagonist being Dr. Virginia Coady (Kry Harper), who is hell-bent on discovering the sickness that is afflicting all of the Castor boys, even if if it means sterilizing several innocent young women in the process. What follows is a series of jailbreak attempts, school elections, double-crosses, and the single most unexpected and jaw-dropping twerk sequence ever filmed.

There was a lot to digest this season, so let’s digest the good, the bad, and the Indifferent as we start our countdown clocks until season four gets its 2016 premiere date. (Don’t get too worried, #CloneClub: there’s way more good than bad, but let’s be honest about a few things here.)

by Anthony Merino

19 Jun 2015

TV critic David Bianculli once stated, “It is easy, and not at all inaccurate, to divide dramatic series television into two eras: Before Hill Street Blues 1981-1987… and after.” He credits the NBC crime drama with two revolutionary innovations that would become the genre norm (although both had been staples of daytime soap operas for years). The first was to replace the single lead with an ensemble cast. The second is that it replaced the standard episodic plot line, where each episode told a single self-contained story, to a narrative arc that would go over an entire season. However, Bianculli leaves out perhaps Hill Street Blues’ greatest contribution to American television.

by Fergus Halliday

15 Jun 2015

Putting its meta-textual sense of humor to the side, the biggest thing that stuck with me after Community’s season six finale was how far the cast has come. That episode, “Emotional Consequences of Network Television”, ends with much of the show’s cast growing up emotionally.

by Jose Solis

8 Jun 2015

Out of all the famous sitcoms from the ‘90s, The Nanny might just be the most underrated. With nostalgia for the last decade of the 20th century being exploited in fashion, music, and other art forms, it seems almost conspicuous that Fran Drescher’s CBS show doesn’t get more mentions. Perhaps its self indulgent camp, and the unique qualities of its leading lady—truly one of the boldest casting decisions made in any network television series—more often than not have reduced it to a curio. In part, this must have something to do with the fact that the show has remained largely unattainable since it went off the air in 1999. The Nanny still can be seen in syndication (it was rightfully acquired by LGBT cable channel Logo in 2011) but with the way viewers consume television, changing so drastically in the past few years, the fact that The Nanny isn’t available on any streaming service has left it into semi-obscurity.

by Fergus Halliday

3 Jun 2015

First airing in September 2006, the first season of NBC’s Heroes found its audience in a big way. It combined an interesting cast, slick special effects (for the time), and a sprawling mythology to bring superpowers to the small screen that, in retrospect, really set the stage for today’s superhero TV line-up. However, Heroes’ success proved short-lived, as each successive season grew more convoluted and threw away a lot of the goodwill its debut garnered.

This year, the series is set to return with Heroes: Reborn, and there’s every reason to suspect it could be a real phoenix-rising moment for the show.

//Mixed media

Country Fried Rock: Drivin' N' Cryin' to Be Inducted into the Georgia Music Hall of Fame

// Sound Affects

""If Drivin' N' Cryin' sounded as good in the '80s as we do now, we could have been as big as Cinderella." -- Kevn Kinney

READ the article