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The business of television is ever changing in the dog days of summer. Producers will jockey with network execs for renewal, showrunners will settle into the fateful writer’s room to shape their show’s future, and Jack Bauer is now opting to save England from annihilation—but still somehow doing it with only a flip phone and concealed pistol at his disposal.

Since their launch onto the American television landscape (c. 2000, with the debut of season one of Survivor), the great appeal of reality TV programs have been their promise of unpredictability. 

For various generations raised on television (which, at the moment, is almost everyone), so many fictional series had, by the time of reality TV’s arrival, become so predictable that it created a chasm large enough for reality to root itself and foster, offering up an unexpected type of TV where villains often triumphed (see: Richard Hatch in Survivor‘s first season), “good guys” had feet of clay, and “right” and “wrong” became irreparably muddled.

Above: Publicity still by Jill Greenberg © 2013


Much has already been written about the excellent female representation in Orange Is the New Black, and rightfully so. A great deal of that praise owes itself to the variety of relationships portrayed between the different kinds of women in the series. Because female relationships are rarely depicted in layered, multifaceted ways on television, Orange Is the New Black immediately stands out.

Mondays have increasingly become one of TV’s most popular nights. Each major network offers viewers something different, and the strategies these networks have adopted have been mostly successful. This fall sees the premiere of three new series.

Here are official video previews, series rundowns, time slots, and a little critical analysis on their odds of survival. Bookmark this page if you want to keep track of premiere dates and possible schedule changes, because updates will be posted in the comments section.

Above: Matthew McConaughey as Detective Rust Cohle in True Detective


When television critics deem HBO’s True Detective a masterpiece, one has to wonder if they’ve watched any other television shows in their lifetime. If they have, they’d surely understand that True Detective is inferior pretentious claptrap compared to past works of art like ABC’s Twin Peaks, HBO’s The Wire, and AMC’s Breaking Bad.

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