We are all monsters, even if we don’t have fangs.
The dark things behind the veil communicate via the idiot box. For confirmation, ditch the shrieking ghost hunters and mediums, with their silly trailer campaigns splashed across TV schedules. Look no further than flat-share-horror Being Human. The first series sprung from something like the set up for a bad joke: a vampire, a werewolf and a ghost commune in a house somewhere in Bristol, first broadcast on niche, youth oriented channel BBC Three.
Where the first series saw each of the characters struggling to find their place in a world which can’t or won’t acknowledge them, the second finds them fighting to protect it. Gentle, geeky werewolf George (Russell Tovey, The History Boys,Dr. Who) continues as the beating heart of Being Human, as he struggles with the repercussions of a brutal murder he committed while transformed.
Charismatic vampire Mitchell (Aiden Turner, Desperate Romantics) finds himself adrift having controlled his cravings for blood, and vanquished, for the moment at least, the vampire hordes intent on taking over the world, led by Herrick (the excellent Jason Watkins). The apparent villain of this series is both more and less overt – craggy faced scientist Kemp, first seen as a psychiatrist at the end of series one (Donald Sumpter). He’s a trench-coat wearing, Van Helsing type monster hunter working with a shadowy figure whose identity and motives remain shrouded. By contrast, Herrick’s softly-spoken, inclusive middle-manager brand of villainy is one of the most interesting facets of the first series, reinforcing the intriguing idea of unimaginable terrors hidden in the mundane.