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by Kerrie Mills

17 Oct 2011

Congratulations, newly-fledged TV executive vice-president of programming! You’ve got the corner office, an assistant to take your calls from eager supplicants whilst you lunch with the hottest new faces in town, hot wannabes now approaching you at parties.

And sometimes, when you’re left alone with your Firefly promotional stress grips, you sit and dream of being the visionary who greenlights the next Simpsons—or maybe Mad Men—depending on how long it took you to get here. At any rate, you envisage the fond mentions from grateful auteurs in retrospectives years later, the Lifetime Achievement honours.

The thing is, Padawan, to achieve this pinnacle one must ever be alert to the Dark Side of your newfound power. Trend-spotting holds full as many pitfalls as it does rewards. Come with us now [rattles chains, Marley-style] as we take a cautionary look back at the 10 most spectacular mistakes of TV executives past…

by Robert Moore

22 Aug 2011


Highpoint Number 1: Game of Thrones and the Shows of April

On 31 March 2011, if asked to grade the 2010-2011 television season, I would have been hard-pressed to give it much above a C.  Perhaps a C+ at best. The season hitherto had not been without some highpoints, many enumerated in previous installments in this countdown. But all in all, it had been a fairly undistinguished season. Most of the new shows were not successful and several had been out and out disappointments. A couple had been outstanding newcomers, like The Walking Dead, Boardwalk Empire, and Raising Hope, while one of the very best new shows, Terrierson F/X, had been a ratings bomb of the first order. All things considered, on the eve of April’s Fools Day, the 2010-2011 season was more bust than boom.

Then came April. Several shows returned to start their new seasons (Treme and Doctor Who), which helped improve things a bit. Above all, though, it was a string of outstanding new series that elevated the television landscape: HBO’s Game of Thrones, Starz’s The Borgias, AMC’s The Killing, and HBO’s miniseries Mildred Pierce. As a group these shows raised the season’s grade up to at least a B+. Rarely have so many outstanding series debuted so late in a television season.

by Robert Moore

19 Aug 2011


Highpoint Number 2: Film Directors Invade Television

Three television series and one mini-series debuted in the 2010-2011 season with executive producers who were also notable film directors: The Walking Dead (Frank Darabont), Boardwalk Empire (Martin Scorsese), The Borgias (Neil Jordan), and Mildred Pierce (Todd Haynes). Important directors working in television is not without precedent. Steven Spielberg, David Lynch, and James Cameron have all worked in television, but never before have four such important directors all invaded the medium at the same time.

The degree to which Scorsese is involved with the actual production of Boardwalk Empire is not clear. He did direct the all-important first episode, perhaps the only episode of any series in which the director plays a role as important as the writers. The director of the initial episode of any series is responsible for creating its shooting bible, which establishes the look and feel of a show. TV directors like David Nutter and Jeffrey Reiner are sought out to direct series’ pilots because they excel at creating the look of a show.

by Michelle Welch

15 Aug 2011


At the same time a handful of friends Tweeted and updated their Facebook statuses to celebrate the premiere of TeenNick’s The 90s Are All That lineup recently, I was stabbed with my millionth pang of regret that I still can’t afford cable television. As a 23-year-old with an entry-level job, a loan repayment schedule, some credit debt, and a cat to feed, my budget simply cannot account for pricey cable television bills. Thus, I make do with Netflix and an Internet connection, having learned in college the key to any broke couch potato’s comfort in a cable-less lifestyle is to embrace a wireless router.

Although not currently airing during the midnight to 4AM block, Are You Afraid of the Dark?, easily the most iconic series from Nickelodeon’s golden era, is slated to return to the airwaves in a future cycle of programming. But take it from me, you need look no further than YouTube. Therefore, I invite you to join me in revisiting ten classic, creepy Are You Afraid of the Dark? episodes, if not from the comfort of a big orange couch in front of a television, then at least with the lights turned off (it aids the YouTube picture quality).

by Robert Moore

11 Aug 2011


High Point Number 3: Justified Comes of Age

Justified, which debuted in 2010, was a good show straight out of the gate, with Timothy Olyphant as US Marshal Raylan Givens instantly one of the most appealing lead characters on TV, and Wayne Goggins as Appalachian petty criminal Boyd Crowder one of the most compelling and complex supporting characters. But as so often happens with shows like The Sopranos, The Wire, Buffy, The X-Files, Farscape, and many others, it was in the second season that Justified became something extraordinary.

The American television industry has been notorious for focusing on the “haves” in American life rather than the “have nots”. Nearly every show on broadcast television deals with the lives of people who are a bit better off than the majority of Americans. And shows that focus on the lower middle class, like the recently ended Friday Night Lights or the comedy classic Freaks and Geeks, are exceptions to the rule. Justified is likewise an exception, in this case not merely focusing on the lower middle class but also on the poor in one of the most economically blighted areas of the United States, the coal mining region of Eastern Kentucky.

//Mixed media
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Slowdive Sell Out Brooklyn and Release Bonus Song "30th June"

// Notes from the Road

"Although sound issues delayed their set on the second night, Slowdive put on an unforgettable show in Brooklyn, or rather two shows.

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