High Point Number 4: A Fond Farewell to Friday Night Lights and Smallville
It may seem a tad eccentric to pair Friday Night Lights and Smallville. After all, Friday Night Lights was—despite being almost completely snubbed by both viewers and the Emmys during most of its run—one of the great series of the past decade, while Smallville was merely a competent reworking of the Superman story, focusing on his small town roots. But both shows had passionate if small fan bases and the departure of each leaves a gap that is not likely to be filled any time soon.
Friday Night Lights’s story is both tragic and triumphant. When I saw its first season, I was stunned by its quality, the brilliance of its camera work, the outstanding writing, and the astonishingly gifted cast. I told friends that it was one of the best shows on TV, and that it was going to win a huge number of Emmys. I believed Kyle Chandler (who played Coach Eric Taylor on the show) was a lock to win Best Actor and Connie Britton was equally certain to win Best Actress. And at bare minimum Taylor Kitsch, Zach Gilford, and Adrianne Palicki were certain to get Emmy noms for their supporting roles.
When the Emmys came around and the show failed to receive anynominations, I was flabbergasted. Today the results seem absurd. While The Sopranos deserved its Best Drama nomination, the other four—Grey’s Anatomy, Heroes, House M.D., and Boston Legal—were so clearly inferior to Friday Night Lights that its failure to receive a nomination is unfathomable.