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Monday, Aug 24, 2009
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In times of happiness and despair, I find myself returning to my pink, velvet-bound Sex and the City box set. Before you start assaulting my virile masculinity, or judging me for clinging onto passé cultural nuances, I think it is important to assert that Sex and the City (1998-2004), now that’s the TV show, not the movie(s), is a timeless cultural by-product.


The term ‘by-product’ is key here because the programme’s success is ultimately put down to the fact that it was a masterwork of self-reflexive puns, clichés and popular assumptions. It embraced glamorized notions of the everyday, and illuminated them into a bustling fantasy-world that everyday boys and gals could quote, imitate or joke about, whilst refilling their empty bottles at the water cooler.


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Monday, Apr 27, 2009

Bea Arthur’s death this past Saturday marks the passing of one of television’s distinctive voices. Her portrayal of Edith Bunker’s outspoken cousin on All In the Family led to a spin-off of her own with Maude and her Dorothy Zbornak on The Golden Girls stands out even among the three other wonderful characters on the series.


Beginning her career on the stage, she starred in Broadway productions of Fiddler on the Roof and most famously in Mame, a role she reprised for the 1974 film version with Lucille Ball. Her place in television history was assured during her guest starring episodes on All in the Family. Maude was a liberal and a feminist and the perfect counterpart to blustery Archie Bunker. Her apearance on the series was so striking that upon first seeing her on All in the Family, the network realized that Arthur had created a character with a life of her own and one who warranted her own series.


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