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by Jessy Krupa

29 Jul 2010

Forgive me for the vague title, but Paul McCartney: The Library of Congress Gershwin Prize for Popular Song, in Performance is an exceedingly long name for a TV special, even if it is on PBS. Unfortunately, its title wasn’t the only thing that needed a little more planning.

The special, which debuted Wednesday night, began with some behind-the-scenes footage of McCartney arriving at the capitol and meeting with some of the show’s performers, with concert footage from his Good Evening New York City DVD mixed in for good measure. Unfortunately, this interesting video was presented to us in black and white. This could have been a nod to A Hard Day’s Night, but I still think it would have been better in color. Fortunately, the rest of the event (except “Yesterday”) was in the type of clear, color film that really pops out in HDTV.

McCartney opened the festivities with “Got to Get You Into My Life”, and you can tell just from the way he said “white house” how important this was to him. A nice touch to the event was the fact that Paul’s own touring band provided back up for both him and most of the other performers. However, being broadcast from a rather small stage in what appeared to be a dining room, the acoustics seemed to be a little off throughout the night.

by Crispin Kott

27 Jul 2010

There are few destinations in this world or any other that simply scream summer more than Greenpoint. Greenpoint, the Brooklyn neighborhood with hipster-lousy Williamsburg to the south and undeniably less hipster-lousy Long Island City to the north, is a sweltering morass of concrete and cacophony this time of year, with the relief of the occasional breeze offset by the stench of rotting garbage, human waste and cigarette smoke carried along in its dithering. Greenpoint, naturally, is where the iconic guest house on USA’s Royal Pains is located.

Okay, so that isn’t exactly true. I mean, yes, the guest house that’s larger than most domiciles in the neighborhood actually is in Greenpoint, but only the interior. Utilizing some terrifically (for television) Hollywood magic, the producers of Royal Pains have constructed a spacious Hamptons cottage complete with ocean breezes in a Greenpoint studio. It’s also my neighborhood, which meant I was able to walk there during a recent visit to the set as cast and crew worked on an episode of the show, currently in its second season. These puppeteers of Tinseltown tomfoolery haven’t just performed an architectural miracle in Brooklyn; they’ve also beaten the odds and (at least presently) put a previously cursed actor into a hit series. 

by Elizabeth Wiggins

8 Jul 2010

According to its slogan, TNT knows drama, and in the summer it does viewers a tremendous favor by producing new, original one-hour dramas. TNT’s dramas tend to cover known ground: crime procedurals, medical dramas, and tales of redemption. As an added bonus, these shows star relatively famous people – Kyra Sedgwick, Holly Hunter, Jada Pinkett Smith, Timothy Hutton – as captivating, specially skilled protagonists. Production values are relatively high, the acting is OK, and the stories are average, if generally unremarkable.

The newest addition to this family of dramas is Memphis Beat, a crime procedural that co-stars Jason Lee and the city of Memphis.Results, as they say, are varied.

There is potential here. While it’s certainly odd for anyone raised on Kevin Smith movies or My Name is Earl fans to see Jason Lee play a cop, he really is trying to bring Detective Dwight Hendricks to life. The problem is, neither Lee nor the audience seem to know who Hendricks is. Nor does anyone really seem to know what this show is or what it wants to be. This problem, which runs throughout Memphis Beat and works its way down into its core, is the key factor holding the show back from being good. When viewers don’t know why they should care, they generally don’t.

by Elizabeth Wiggins

2 Jul 2010

The phrase “the art world” can conjure vague, non-specific images: galleries, standing still and speaking in hushed tones, wine, pretension, and climate controlled rooms. For many, “art” in the “high art” sense is not a part of day-to-day life, except on the rare occasions a nearby city has an interesting or controversial exhibit, or when we’re invited to a friend’s art school graduation, and on such occasions, we take the time to browse and ponder art affixed to walls, pedestals, hanging from ceilings… 

Regular exposure to such “institutionalized” art requires, for many, the concentrated effort to go off the beaten path. Luckily for those whose museum attendance record is somewhat lacking, Bravo’s Work of Art: The Next Great Artist brings that world into our living rooms in a recognizable, Bravo-styled format (Work of Art follows the successful Project Runway/Top Chef reality competition template).  What results is an art competition that marries the highbrow world of finer things with the lowbrow world of reality television for a slightly dramatic, generally pleasant evening of television.

by Henry Guyer

3 Jun 2010

The initial success and, subsequently, the over-saturation of the superhero genre has brought us two distinct schools of thought: that of a hyperbolic superficiality that revels in its camp comic-book world or an approach directed towards realism (as close to realistic as the supernatural can conceivably be). The former has had its share of utterly forgettable fiascos—Daredevil, Elektra, The Fantastic Four—films and franchises that will continue to be made because, the sad fact is, money talks above all else. But it has also had its tongue-in-cheek successes in the likes of Iron Man and Spider-Man. They can work when they don’t take themselves too seriously and play their cards just right.

The latter category, however, has explored the human aspect in the genre, from man’s ability for good to its many flaws. This is the path explored by The Watchmen, The Dark Knight, and, to a much lighter extent, NBC’s Heroes, a show that tried to tread both paths or was confused to which group it belonged. With the show’s descent into disappointment and, finally, cancellation, there is now room for a new show to take over the superhero mantle on television, maybe one that can prove to be a little bit more brave.

I’m not talking about No Ordinary Family, the forthcoming ABC show that looks to fill this niche next fall. Instead I’m turning my attention towards the other side of the pond for the latest (and brilliant) addition to the canon—Britain’s The Misfits.

//Mixed media

Terror, Dolls, Madhouses: Three for the Price of Price

// Short Ends and Leader

"Three Vincent Price projects from American International.

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