Out of all the famous sitcoms from the ‘90s, The Nanny might just be the most underrated. With nostalgia for the last decade of the 20th century being exploited in fashion, music, and other art forms, it seems almost conspicuous that Fran Drescher’s CBS show doesn’t get more mentions. Perhaps its self indulgent camp, and the unique qualities of its leading lady—truly one of the boldest casting decisions made in any network television series—more often than not have reduced it to a curio. In part, this must have something to do with the fact that the show has remained largely unattainable since it went off the air in 1999. The Nanny still can be seen in syndication (it was rightfully acquired by LGBT cable channel Logo in 2011) but with the way viewers consume television, changing so drastically in the past few years, the fact that The Nanny isn’t available on any streaming service has left it into semi-obscurity.
Latest Blog Posts
First airing in September 2006, the first season of NBC’s Heroes found its audience in a big way. It combined an interesting cast, slick special effects (for the time), and a sprawling mythology to bring superpowers to the small screen that, in retrospect, really set the stage for today’s superhero TV line-up. However, Heroes’ success proved short-lived, as each successive season grew more convoluted and threw away a lot of the goodwill its debut garnered.
This year, the series is set to return with Heroes: Reborn, and there’s every reason to suspect it could be a real phoenix-rising moment for the show.
When David Letterman first announced his plans to retire from The Late Show a few months ago, I was somewhat surprised but not initially devastated. In the back of my mind, I knew that he was in his late 60s, that he had outlasted Jay Leno as the final member of his generation still hosting a late-night talk show, and that he’d be hanging it up sooner rather than later. But I still wasn’t ready. Now that he has officially wrapped up his show with his Wednesday, 20 May broadcast, I, like the other fans who grew up watching him every night, am bracing for life without Dave.
Despite the absence of the witches, wizards and magic, the everyday drama of J.K. Rowling’s The Casual Vacancy seemed destined to be more difficult to adapt than Harry Potter. Still, it was only a matter of time before the novel made the jump, and while the serialized TV format fits Rowling’s writing far better than the Hollywood blockbuster ever did, the results are a mixed bag.
Though one of the defining characteristics of “The Golden Age” of television is that standout serialized storytelling no longer belongs exclusively to cable providers, it’s hard to argue that HBO hasn’t maintained its status at the top of the class. With a reputation forged on the critical acclaim of David Simon’s The Wire, hardened through six seasons of The Sopranos, and now emboldened by the most successful fantasy adaption since Peter Jackson’s Lord of the Rings, HBO has gone from strength to strength.