Latest Blog Posts

by Jessy Krupa

10 Jun 2010


Before Supernatural ended its fifth season a couple of weeks ago, most of its viewers knew that the series had been renewed for another season. The internet buzzed about writer Sera Gamble’s admission that the apocalypse plot would be resolved in the season finale, which was rumored to include the death of a beloved character. Some of its more media savvy fans knew that stars Jensen Ackles (Dean) and Jared Padalecki (Sam) had signed six-year contracts, so rumors spun that either Misha Collins (Castiel) or Jim Beaver (Bobby) would be leaving the show.

On the season finale, Sam allowed himself to be possessed by Satan so he could lead him into a trap that would render him powerless. During the struggle, his half-brother Adam (Jake Abel), who was possessed by the angel Michael, fell into the same trap and they all vanished. Castiel went back to Heaven, and the prophet Chuck stated that Dean gave up the hunting way of life and wouldn’t see Bobby for a long time afterward. As we seen Dean sit down to dinner with his ex-girlfriend and her son, Sam (or something that looked just like him) was standing outside of their home. Then Chuck mysteriously vaporized away.

by Matt Paproth

24 Feb 2010


This is the first Olympics that I have viewed in a post-Tivo world. The DVR is such an omni-present part of my TV viewing experience that I am now finding myself struggling to view the Olympics without mediation by my Tivo. Like so much about the Olympics, though, I am torn about how Tivo affects it.

The biggest problem is also the greatest strength—the ability to fast-forward. Once you start picking and choosing your way through a five-hour portion of Olympic coverage, it becomes very clear just how little you care about most of what is going on. In most cases, it simply is not compelling to watch a bunch of people who you do not know engage in the same task over and over again. You sit and watch the clock as various people ski down a hill (or, even more identical, race down a bobsled or luge course), wondering what you are supposed to be looking for. The carefully-packaged back-stories are only provided for people who will medal or crash… oh, or Americans—is our narcissism any clearer than in how we cover the Olympics? But without these segments, the actual competition is meaningless.

by Matt Paproth

23 Feb 2010


So, it has been over a week since my last contribution to this blog, and I am going to put blame where blame is due – the Olympics.  I have been obsessing majorly over the Olympics throughout the past ten days, and, as they wind down here throughout the week, I want to record the duality of my feelings toward them (and, particularly, NBC’s coverage of them). Yesterday, I looked at the good. Today, the bad…

Like a gassy, bloated cow, NBC’s coverage of the Olympics continues to trudge forward toward its predictable end. Complemented by the talking puppets of the Today Show, NBC’s exhaustive (and exhausting, in most cases) coverage of various events spans many, many hours on many, many channels.

The biggest problem with the coverage is how thoroughly sanitized it is. The majority of the events are shown many hours after they occur, making the entire primetime broadcast a really compelling viewing experience… FOR MY GRANDMA!  I mean, apart from the rare event taking place late into the evening, isn’t anyone who really cares about Lindsey Vonn’s gold medal pursuit going to look on the million websites where this information is readily available in real-time?

by Matt Paproth

22 Feb 2010


So, it has been over a week since my last contribution to this blog, and I am going to put blame where blame is due—the Olympics. I have been obsessing majorly over the Olympics throughout the past ten days, and, as they wind down here throughout the week, I want to record the duality of my feelings toward them (and, particularly, NBC’s coverage of them). Today, the good…

The Olympics are thoroughly compelling, both as emotional and physical drama. From the little-seen hockey games that must be sought out on CNBC to the ratings-grabbing figure skating competitions, from the slow-moving cross country skiing to the adrenaline-rush of short-track speed skating, the Olympics are engaging, appointment television. The commentators for the individual events are complemented by the recorded pieces giving more detailed background about particular athletes, and they combine to give real substance to the experience of watching an event.

by Michael Landweber

5 Feb 2010


The sitcom is experiencing a revival. Every broadcast network has a night devoted to the half-hour genre that had been left for dead just a few years ago. NBC has its uncomfortable workplaces, CBS is home to the spawn of Friends, and Fox has its animation broods. This year, ABC jumped back into the sitcom game as well. Most of their offerings are middling at best, but there is one standout: Modern Family

It is the story of three families—a May-December multicultural couple raising her child, a gay couple with an adopted daughter, and a nuclear unit with two parents and three kids—that all happen to be branches of a larger extended family. The December patriarch of the first family is also the father of one parent from each of the other families. Don’t worry, it is not as complicated as I made it sound. 
 
What is so refreshing about Modern Family is that it manages to be about a family where the individuals actually care about each other in a believable, non-cloying way. It avoids both the saccharine triteness of yore and the ugly animosity that has marked recent clans. For many years, I thought the live-action family sitcom was all but extinct. Turns out it was just waiting to evolve.

//Mixed media
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