Latest Blog Posts

by Sean Fennell

9 Sep 2015


And there you have it. The F Society team has finally, once and for all, sprung several dogs from captivation and saved the world. Oh yeah, and the hack that has been discussed since episode one? That has finally been executed too.

We’ve seen numerous hacks in season one, usually with Elliot (Rami Malek) walking us through the technicalities as he ruins this life or that one, all in the name of the overall good. The ironic part of Mr. Robot’s finale is that we do not, in fact, see this hack carried out. Instead, we catch up with Elliot two days after the hack, as its effects are starting to truly sink in worldwide. This doesn’t mean that Elliot is basking in the glory of his success. In fact, he is just as lost as we are, as he remembers just as much about the operation as the viewer.

by Sean Fennell

6 Aug 2015


Last week’s Mr. Robot episode, “br4ve-trave1er.asf” ended with the most “Game of Thronesian” moment of the show’s first season. It was the kind of episode that, if the show was more popular, would have lit up the Twittersphere with analysis and insight within moments of its conclusion. However you break down last week’s many twists and turns one thing is for sure; Shayla is dead and it was largely, if not completely, Elliot’s fault.

by Anthony Merino

6 Jul 2015


Paul Woodrugh as Gabriel Luna

And you think that love is only
For the lucky and the strong
Just remember in the winter
Far beneath the bitter snows
Lies the seed that with the sun’s love
In the spring becomes the rose

The third episode of True Detective “Maybe Tomorrow” opens with an Elvis impersonator bathed in blue light covering Bette Midler’s The Rose, 1979. The song foreshadows the entire episode, which centers on the four main characters’ romantic dysfunction. It also establishes that new director Janus Metz Pedersen and writer Nic Pizzolatto are endeared to foreshadowing.

by Fergus Halliday

14 May 2015


Despite the absence of the witches, wizards and magic, the everyday drama of J.K. Rowling’s The Casual Vacancy seemed destined to be more difficult to adapt than Harry Potter. Still, it was only a matter of time before the novel made the jump, and while the serialized TV format fits Rowling’s writing far better than the Hollywood blockbuster ever did, the results are a mixed bag.

by Fergus Halliday

8 May 2015


Though one of the defining characteristics of “The Golden Age” of television is that standout serialized storytelling no longer belongs exclusively to cable providers, it’s hard to argue that HBO hasn’t maintained its status at the top of the class. With a reputation forged on the critical acclaim of David Simon’s The Wire, hardened through six seasons of The Sopranos, and now emboldened by the most successful fantasy adaption since Peter Jackson’s Lord of the Rings, HBO has gone from strength to strength.

//Mixed media
//Blogs

'Cube Escape' Is Free, Frustrating, and Weirdly Compelling

// Moving Pixels

"The Cube Escape games are awful puzzle games, but they're an addicting descent into madness.

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