Last week’s Mr. Robot episode, “br4ve-trave1er.asf” ended with the most “Game of Thronesian” moment of the show’s first season. It was the kind of episode that, if the show was more popular, would have lit up the Twittersphere with analysis and insight within moments of its conclusion. However you break down last week’s many twists and turns one thing is for sure; Shayla is dead and it was largely, if not completely, Elliot’s fault.
Latest Blog Posts
And you think that love is only
For the lucky and the strong
Just remember in the winter
Far beneath the bitter snows
Lies the seed that with the sun’s love
In the spring becomes the rose
The third episode of True Detective “Maybe Tomorrow” opens with an Elvis impersonator bathed in blue light covering Bette Midler’s The Rose, 1979. The song foreshadows the entire episode, which centers on the four main characters’ romantic dysfunction. It also establishes that new director Janus Metz Pedersen and writer Nic Pizzolatto are endeared to foreshadowing.
Despite the absence of the witches, wizards and magic, the everyday drama of J.K. Rowling’s The Casual Vacancy seemed destined to be more difficult to adapt than Harry Potter. Still, it was only a matter of time before the novel made the jump, and while the serialized TV format fits Rowling’s writing far better than the Hollywood blockbuster ever did, the results are a mixed bag.
Though one of the defining characteristics of “The Golden Age” of television is that standout serialized storytelling no longer belongs exclusively to cable providers, it’s hard to argue that HBO hasn’t maintained its status at the top of the class. With a reputation forged on the critical acclaim of David Simon’s The Wire, hardened through six seasons of The Sopranos, and now emboldened by the most successful fantasy adaption since Peter Jackson’s Lord of the Rings, HBO has gone from strength to strength.
Shonda Rhimes’ How to Get Away With Murder is a show with a lot of hype behind it, and rightly so. It’s hard to deny the series’ first season didn’t make a strong impression. It threw together an awesome and diverse cast, a fun episodic formula, and a serialized mystery that definitely hangs with the best of them.
That said, it was How to Get Away With Murder’s blend of contemporary college drama and sprawling murder-mystery that stuck with me the most, because it evoked a fascinating set of similarities to Donna Tartt’s seminal campus-murder novel, The Secret History.