Latest Blog Posts

by Elizabeth Wiggins

8 Jul 2010


According to its slogan, TNT knows drama, and in the summer it does viewers a tremendous favor by producing new, original one-hour dramas. TNT’s dramas tend to cover known ground: crime procedurals, medical dramas, and tales of redemption. As an added bonus, these shows star relatively famous people – Kyra Sedgwick, Holly Hunter, Jada Pinkett Smith, Timothy Hutton – as captivating, specially skilled protagonists. Production values are relatively high, the acting is OK, and the stories are average, if generally unremarkable.

The newest addition to this family of dramas is Memphis Beat, a crime procedural that co-stars Jason Lee and the city of Memphis.Results, as they say, are varied.

There is potential here. While it’s certainly odd for anyone raised on Kevin Smith movies or My Name is Earl fans to see Jason Lee play a cop, he really is trying to bring Detective Dwight Hendricks to life. The problem is, neither Lee nor the audience seem to know who Hendricks is. Nor does anyone really seem to know what this show is or what it wants to be. This problem, which runs throughout Memphis Beat and works its way down into its core, is the key factor holding the show back from being good. When viewers don’t know why they should care, they generally don’t.

by Beth Greaves

6 Jul 2010


Family Guy is not what you think. That is, it isn’t if you think what I thought at first: a crude, tactless and brutal cartoon made solely to satisfy a primal juvenile need to laugh at the offensive. No. That is not Family Guy. Is Family Guy crude, tactless, brutal, offensive and juvenile? Often, yes. However, there is something much deeper going on.

To bristle at the ugly stereotypes perpetuated by this cartoon is natural. I cringe at their sly Jews, their effeminate homosexuals and every other offensive stererotype the show parades in front of us. Yet it’s not done in this manner out of racist or homophobic spite. It’s not a marketing tool to brainwash the public with xenophobia.

by Elizabeth Wiggins

21 Jun 2010


A tense moment in The Real Housewives of New Jersey

Growing up in New Jersey, jammed all the way out on the East Coast and in between a bunch of people, it’s hard to imagine what life is like in the rest of America. In school, the memorization of the capitals of other states mostly seems like an act of politeness. Sure, the capital of Wyoming is Cheyenne, but it’s not like that knowledge is being stored for an actual trip there. This dynamic of awareness of other place ‘out there’ and standoffishness (who cares?) works in both directions; while New Jerseyans have trouble imagining life elsewhere, the population west of the Delaware River has some ideas about how things go in New Jersey that relate to big hair and strong accents. Until recently, this was all residents of New Jersey had to worry about when defending themselves throughout the United States and abroad. However, the recent focus on New Jersey as a site to mine for reality television gold raises some questions about the tension between celebrating a local identity and engaging in troubling self-parody.

by Nathan Pensky

17 Jun 2010


The overwhelmingly positive media reaction to Betty White’s guest star appearance recently on Saturday Night Live seemed to be about two very different dynamics: A) Classic live comedy performance and B) Classic live variety performance. Because, really, watching Betty White perform at her age on live television was a lot like watching someone juggle a bunch of flaming bowling pins, except here the juggling represents being really, really old. That Betty White is a good comic actress is undeniable. But so is every SNL cast member. Television viewers’ fascination with White’s performance had to do not only with her spot-on comic delivery, but also with their anxious protectiveness of her legend status. The watchability of the actual telecast hinged in equal parts on these two feelings, as if the viewer was always caught between saying to oneself, “Wow, that was funny!” and “Wow, good job for actually pulling it off!” Viewers were concerned for White’s safety in the same way they would be for their own grandmothers, except instead of braving a particularly steep stairwell, White was looking slyly through a television screen and talking about her dusty muffin.

by Jessy Krupa

10 Jun 2010


Before Supernatural ended its fifth season a couple of weeks ago, most of its viewers knew that the series had been renewed for another season. The internet buzzed about writer Sera Gamble’s admission that the apocalypse plot would be resolved in the season finale, which was rumored to include the death of a beloved character. Some of its more media savvy fans knew that stars Jensen Ackles (Dean) and Jared Padalecki (Sam) had signed six-year contracts, so rumors spun that either Misha Collins (Castiel) or Jim Beaver (Bobby) would be leaving the show.

On the season finale, Sam allowed himself to be possessed by Satan so he could lead him into a trap that would render him powerless. During the struggle, his half-brother Adam (Jake Abel), who was possessed by the angel Michael, fell into the same trap and they all vanished. Castiel went back to Heaven, and the prophet Chuck stated that Dean gave up the hunting way of life and wouldn’t see Bobby for a long time afterward. As we seen Dean sit down to dinner with his ex-girlfriend and her son, Sam (or something that looked just like him) was standing outside of their home. Then Chuck mysteriously vaporized away.

//Mixed media
//Blogs

Call for Papers: Do You Believe in Life After Auto-Tune?

// Announcements

"Which is better, Cher’s voice before or after Auto-Tune?

READ the article