This is the time of year when all the broadcast networks (ABC, CBS, NBC, FOX, and the CW) put out those cheap, cheesy “preview” specials. They often broadcast them at odd times, and mostly focus on what seems to be the worst of what they have to offer. Consider what’s broadcast here as an improved version of what you’ll get on the tube. Following are previews of the new shows that will be airing during the weekends, along with a little background information and some speculation on how long they might last.
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This is the time of year when all the broadcast networks (ABC, CBS, NBC, FOX, and the CW) put out those cheap, cheesy “preview” specials. They often put them on at odd times, and mostly focus on what seems to be the worst of what they have to offer. Consider this as an improved version of that.
The following are previews of the new shows that will be airing on Tuesday nights, along with a little background information and some speculation on how long they might last.
At 8 pm, ABC is offering the drama, No Ordinary Family, in which a typical family discovers that they have superpowers. Imagine a live-action version of The Incredibles, or a more serious TV version of Disney’s Sky High.
I came to Mad Men late, in the middle of the show’s second season. Unwilling to simply dive in and pick up in the middle of things and worry about catching up later, I exercised restraint and watched the first two seasons of the show on DVD. Watching the first two seasons this way allowed the story to unfold as a whole, without the interruptions of commercials or weeklong gaps between episodes.
It was clear to me that each season of Mad Men is conceived of as a long story, told in 13 parts, and held together over an extended arc. On DVD, I was enthralled by the way this story came together; the pacing I saw in uninterrupted viewing gave it and the characters an honesty that I thought spoke to exceptional storytelling ability. More than anything, though, I did not understand why some people found Mad Men boring.
Explanation is usually only necessary when a joke isn’t readily funny. However, some A-material contains narrative layers of nuance which defy a single pass. One such moment happens in the season four premiere episode of the American version of The Office.
In “Fun Run”, the Scranton branch of Dunder Mifflen Paper Company is all atwitter over the recent accident of a co-worker. Branch manager Michael Scott has made the office’s scare with vehicular manslaughter his latest pet project, mainly because his was the vehicle and he the man who almost did the slaughtering. Though Meredith, Dunder Mifflin – Scranton’s resident alky, survived being hit by Michael’s car with only minor injuries, her hospital stay fortuitously allowed doctors to diagnose and treat a much more serious Rabies infection. In other words, had it not been for getting hit by Michael’s car, Meredith probably would have died.
George Edergly Harris III in Heaven have we ignored the legacy of the 1960s? If global catastrophes like the wars in Iraq and Afghanistan, the recent BP Oil Spill, and the depletion of the Arctic ice pack have not demonstrated how deeply we have misunderstood the ideology of flower power, then a quick peek at your weekly Travel Channel and Food Network programming guides should accomplish that in an instant.
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"Rainer Werner Fassbinder is the whole show.READ the article