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by G. Christopher Williams

6 Dec 2010

Six years after the release of the original Mafia, 2K has followed up that cult favorite with an open world game defined less by its similarity to Grand Theft Auto or other open world crime games and more to its commitment to building authentic period ambiance and telling a really good, really different kind of mob story.

Vito Scaletta is no Godfather or Scarface, instead he is just one Mafia soldier feeling the pressure of his obligations to his “family,” and in that, this story of a man sorting out his mission and his loyalties really works as both a crime story and as a very human story. Twitch gamers may find this one slow and a little talky, but this title is sure to please the gamer that wants a legitimate plot to drive some good old fashioned gaming mayhem.

by Eric Kravick

3 Dec 2010

Nintendo knows that variety is the spice of life and it aims to put that thought into motion with Wii Party. Expect the unexpected when you are thrown into a wide multitude of game modes that will pit you and up to three of your friends (or family) in a frenzy of mini games.  Each type of game is broken down by the amount of time it should take to finish, allowing you the flexibly to schedule a game in between worrying about who’s up next to unwrap their present. 

Even with the chaos that is bound to ensue whenever a huge dose of motion controls are involved, Wii Party is easy to understand for any age, and therefore instantly appealing to anyone looking for that age-unifying, holiday present.

by G. Christopher Williams

2 Dec 2010

With the holiday swell of big name titles, it’s possible that you may have forgotten the strong titles that appeared at the beginning of this year. Bioshock 2 should not be forgotten, as it’s a sequel that’s not merely a retread of its predecessor, but a legitimate effort to expand on the notions that made the original Bioshock such an important watershed for gaming.

Like the first game, this one continues in its commitment to the idea that games can serve as a legitimate media for social and political critique, aiming its guns not at Ayn Rand’s Objectivism this time but instead on its opposite, an egalitarian, but deeply flawed effort at utilitarianism. Additionally though, it tells a far more human and relatable tale as it explores the relationships between fathers and their children. If you know a gamer that missed out on the opportunity to try this title out in early 2010, now is a great time to get them up to speed with this evolution of the Bioshock franchise.

by Arun Subramanian

2 Dec 2010

Super Mario Galaxy might have been Nintendo’s biggest Mario release of the year. But Mario vs. Donkey Kong: Mini-Land Mayhem! is certainly the best one for the portable DS, and one of the best DS titles overall in some time.  Players guide an army of Mario-themed wind up toys in an effort to rescue Pauline from Mario’s original antagonist, Donkey Kong. It’s challenging without being frustrating, and charming throughout. The game is chock full of audiovisual references to Mario’s history, appropriate given that this year is Mario’s 25th birthday, and is highly recommended for gamers of all ages.

by L.B. Jeffries

1 Dec 2010

Amnesia: The Dark Descent is probably the best designed horror game to come out this year. It doesn’t have the best story and it runs out of content about half-way through, but conceptually it’s one of the scariest systems I’ve ever engaged with.

You have no weapons. Darkness slowly drives you insane and you have limited amounts of lamp oil. Fleeing from monsters means sitting in darkness, slowly losing all your senses, and hoping nothing catches you in this state. The experience stayed consistently disturbing throughout the game as the challenges grew more complex. The mod tools have recently gone online, meaning there will be a lot of strange content for owners to enjoy after they’ve beaten the game. It’s a great gift for anyone looking for a few chills this Christmas.

//Mixed media

NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

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