Tanner Smith: “10dEATthbreast” is Justin Vernon’s long-awaited response to his Yeezus collaborations: by overlaying filtered chants on top of the buzzed out low-end and clattering percussion, he creates something altogether more forceful and propulsive than any song on Bon Iver’s first two records. And yet, in the song’s second minute, he leads this mini-epic into a beautiful, spacious crescendo that contains all the searching intimacy you’ve come to expect from his work. A truly futuristic assemblage, the song feels wholly singular in the current indie climate. Along with the other advance single, “22 (OVER S∞∞N)”, “10dEAThbREast” depicts a mercurial artist who is continually pushing himself and his music into unknown territories. [9/10]
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Indie rockers Young the Giant are headlining tonight’s AUDIENCE Network concert special airing at 9:00 p.m. ET/PT on AUDIENCE Network, DIRECTV Ch 239/U-verse Ch 1114. The band was definitely “on” big time for this event as Sameer Gadhia’s passionate vocals on “Something to Believe In” make you believe him. We’ve got an exclusive clip of that song to whet your appetite for the entire concert tonight, which also features an in-depth interview with the band.
Everything is online now. As someone who mostly plays single-player games but who still has his console connected to the Internet, there’s no escaping the omnipresent community of friends and fellow gamers. From multiplayer to leaderboards to player-generated content—heck, even the faux-online feel of offline games like DarkMaus—I can never forget that I’m part of a larger social group.
This is not a bad thing. I like the hyper-connected world that we live in, and I can manage my online presence just fine, but knowing/assuming that I’m always connected can result in a weird and (wonderfully) fascinating disconnect from reality in those rare moments when I’m not actually connected to a larger community.
In celebration of Bar None Records’ 30th anniversary, Burnside Project—the electronics-indebted indie rock trio featuring Richard Jankovich, Gerald Hammill, and Paul Searing—have decided to do something wholly unique: take the group’s labored-over but never-released third album, Syntax and Semantics, and unleash it onto the world, starting with a two-week free download exclusive to PopMatters.
Casual observers may be familiar with “Cue the Pulse to Begin”, a minor four-on-the-floor club hit that later became the theme song to the US version of Queer As Folk, and the album that it came from, 2003’s The Networks, the Circuits, the Streams, the Harmonies, even got a nomination for the short-lived Shortlist Award, no less than Cameron Crowe ending up being the one who nominated the guys.
Saul Williams may not directly challenge the status quo every day but an uprising is at core of his being. When he performed a free show for Summerstage in Marcus Garvey Park, Williams began his set late due to technical difficulties some of which continued through his set. However, with a simple stage arrangement, it was simply him and his a backup DJ/producer, Williams commanded attention at the park. When the music dropped out (due to audio issues?) he continued on and later, he inflamed the audience further from the crowd. With the lights low (and the sun down), Williams’ system challenging lyrics aligned with his MartyrLoserKing multimedia backdrop and allowed his message to be the center of attention. As an artist, a poet, an activist and more, Williams is steadfast on his principles and his music reflects his social and political views. Check out some photos and a couple of clips from his set below.
// Moving Pixels
"Door Kickers is not a multiplayer game, but for a while there, I couldn’t tell the difference.READ the article