The Polyphonic Spree have over 20 members in their band (a smaller amount for this tour) and are currently wrapping up a Summer tour that supports their most recent album, Yes, It’s True. This was my first time seeing them live and, upon first glance at the band, I was immediately struck by two different visions of what I was seeing. Their ‘60s apparel, particularly band leader Tim DeLaughter’s shaggy hair and flowing shirt made it seem like I was either taking a peek into a party with a lot of marijuana smokers or witnessing a cult-leader try to persuade people to join his brainwashed masses. The spinning disco lights that lit most of the show furthered the first hypothesis, that and their Flaming Lips-esque trippy music of course. The show wasn’t sold out but the fans packed in tight near the stage to gaze rapturously into DeLaughter’s eyes presumably. It was such a positive experience that the band did their breakaway hit “Light & Day” twice back to back just wantonly throwing their positivity about.
As the final days of August recede in the rearview mirror, as Hollywood prepares for its second massive movie dump of 2014 (January through April being the first of such cinematic exiles), it’s time to reflect on the best and worst of what turned out to be a surprisingly uneventful Summer season. Indeed, with only one movie making significant inroads worldwide (yep, Michael Bay’s tepid Transformers: Age of Extinction managed to break the billion dollar bank around the planet) and no domestic release reaching $300 million, Tinseltown is hanging its head in shame.
Sure, there were significantly less flops this time around than last year (Sin City: A Dame to Kill For and Hercules being the ‘lone’ exceptions), but there were also more mediocrities. Indeed, bad movies have been replaced by “meh” movies in 2014, films you can neither love nor loathe.
Just over a month ago, PopMatters premiered the video to Sara Jackson-Holman‘s “River Queen”, the title track off of her new EP. Now, the echoey-voiced Jackson-Holman has released another video, this time for the longing and lovely piano ballad “Summer Song”, her newest single.
Prior to 2004, few people would classify the music of Green Day as particularly sophisticated, intellectual, or thematically mature. Sure, “Good Riddance (Time of Your Life),” with its poignancy, fragility, and beautiful orchestration, quickly became the introspective acoustic ballad of a generation, and fun singles like “When I Come Around” and “Basket Case” were amongst the catchiest mainstream songs of their era. However, for the most part the ‘90s saw Green Day dominating the airwaves as little more than a premier punk rock group. The band emblemized a contemporary take on the rowdy counterculture retaliation of ‘70s icons like the Clash, and while it did an excellent job of it (don’t get me wrong), no one ever expected the trio to branch out of its preset genre limitations stylistically, conceptually, or technically.