CFP: The Legacy of Radiohead's 'The Bends' 20 Years On [Deadlines: 29 Jan / 12 Feb]

 

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Friday, Jan 30, 2015
Give a person lots of options and picking just one becomes difficult. Remove some options and the choice becomes easier.

We all like choices, we all like options, but too decisions to make can be overwhelming. One of the big complaints about Assassin’s Creed: Unity is the “icon glut” on the map. It’s saturated with icons of collectibles and quests and points of interest, so saturated in fact that the icons actually block the map when you zoom out. I’ve heard similar complains about Far Cry 4. After you take over an outpost, it will then be populated by people shouting side-quests at you. The result of this over saturation is that most people ignore the quests and collectibles, deeming them too daunting or too annoying of a challenge to take on.


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Thursday, Jan 29, 2015
The minimalist funk of Frank Ocean's "Lost" gets a unique treatment in the hands of the cello/drums duo Live Footage, all of it captured on a GoPro camera.

Together, Topu Lyo (five string cello and effects) and Mike Thies (drums and keyboards) make up Live Footage, an experimental and eclectic outlet of musical exploration that the duo describes as “IDM: impressionistic dance music”. With this intriguing aesthetic, Live Footage have now taken to covering the music of Frank Ocean, namely the track “Lost”, off of 2012’s critically acclaimed channel ORANGE. Lyo and Thies’ dextrous musical skill and crafty ear for tinkering with melody are alive and well in this inspired take on “Lost”.


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Thursday, Jan 29, 2015
Portrait of Jason and Ornette: Made in America, two outstanding Shirley Clarke documentaries, represent unique takes on the black experience in America.

In all-night session on December 3, 1966, Jason Holliday was “on”, baby. Getting drunk and stoned but handling it, he sashays from couch to chair and back again, riffing, singing, monologuing. He discusses being “a queen” and “a hustler”, touches on being black in his relation to various “ofay cats”, and discusses his frustrations, ambitions and sometimes destructive habits. Underlying all of this is fear, unless we project this interpretation, but his shrieking laughter over topics like how his father used to beat him skirts the edge of hysteria. The camera hovers closer and then backs away. The chapter breaks are fades out of focus, so that Jason resembles an X-ray of himself, and fades to black with his voice emanating from the ether.


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Thursday, Jan 29, 2015
Following their creative low point in 2011's Codes & Keys and shedding a band member, Death Cab for Cutie's first new song in years is promising, but not a whole lot else.

“There is beauty in a failure,” Ben Gibbard sings on “Black Sun”, the lead single from Death Cab for Cutie’s first album in nearly four years. His is a very pointed, observant statement, considering that he isn’t too far removed from having written the worst album of his career.


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Thursday, Jan 29, 2015
The latest video from the Ozark Mountains folk group Pawns or Kings, "Light Over the Ridge", is an intimate depiction of feeling at home -- just as you're about to leave it.

The folk music purveyed in by the quartet Pawns or Kings is certainly befitting of their native Ozark Mountains in the American Midwest. However, the group’s music takes on a curious light when one considers its origins: Pawns or Kings arose from the prog rock outfit the Race to Olvido. Listening to the former band’s newest album, 2014’s Pomme de Terre, it’s hard to imagine the music coming from the world of Dream Theater-esque shredding, but lo and behold these four musicians pulled the transition off.


Below you can watch the video for the Pomme de Terre tune “Light Over the Ridge”, which was filmed at a transitory moment in the life of Pawns or Kings.


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