Stapleton left the group a few years ago to pursue his own solo career and the result is this year’s excellent country/Americana album, Traveller, which debuted at #2 on the country charts. Today, Stapleton has released a new video for “15 Years of Traveller”.
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Iceland’s Ólafur Arnalds continues to gain renown with his diverse solo and collaborative projects. His For Now I am Winter was well-reviewed, he’s done the soundtrack for the detective drama Broadchurch, and his neo-classical project with Alice Sara Ott, The Chopin Project is one of the most intriguing albums I’ve come across in 2015. Kiasmos, a collaboration with Janus Rasmussen, a member of electro-pop Bloodgroup, is a project that began in 2009. But the duo only released their first full-length album last year. Though I didn’t discover it till this year, I was fortunate enough to catch Kiasmos in New York on a rare tour—one that will wrap up soon with a couple California shows before a few European dates (listed below).
She only appears in the last 15 minutes of the film. Mrs. Voorhees’ presence is, at first, rather disorienting, since we’ve seen so few adults during the course of the carnage. As she tries to comfort a distraught and very upset Alice, her almost blasé response to the concept of a killer on the loose makes her instantly suspect.
Still, we’re willing to go with this well-meaning matriarch, at least, up to a point. And then Betsy Palmer, TV star from decades past, opens up her predatory pearly whites and starts telling the story of a boy named Jason, and soon we see the light. As the mother of the drowned lad, Mrs. Voorhees means business, and in her line of work (carving up teenagers), business is booming.
On past LPs, the Seattle-based group Barcelona have shown an affinity for groups like Coldplay. With their 2014 single “Fall in Love”, though, the band took a more minimalist, electronic direction, one far more successful than Coldplay’s snorefest Ghost Stories. To add to this electronic experimentation, Barcelona took to the Moog studio to put a fresh spin on “Fall in Love”. As the video capture of the performance attests, these Seattleites harnessed the dizzying array of synth options with aplomb.
The Scorpio Letters’ two-fisted hero is Joe Christopher (Alex Cord), an American ex-cop who freelances for a British spy division. He spends the movie smoking cigarettes, uttering weary remarks more petulant than witty, and glowering from under his eyebrows, as though constantly ducking his head to avoid further dialogue. Shirley Eaton, best known from Goldfinger, is the statuesque yet blasé female agent who’s around to provide sex appeal and finally require a timely rescue.
The plot involves a blackmail ring organized by someone called Scorpio. Neither his identity nor activities are interesting, but we’re distracted easily enough by various murders and attempted murders that pop up like expectable signposts along the winding way to the wrap-up. Almost as pleasing to the eye as Eaton are the attractive locations (and backlots), shot in pretty color by Ellsworth Fredericks. Dave Grusin’s romantic score lilts along constantly, occasionally bothered by a pesky flute.