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by Adrien Begrand

30 Jun 2015

The Columbus, Ohio  band mixes classic disco and funk with more modern sounds to offer a contemporary take on classic pop.

Featuring wicked falsetto singing reminiscent of Jimmy Somerville and a fun take on disco and funk similar to the Scissor Sisters, the Columbus, Ohio project Digisaurus combine elements both new and old to create a sound that’s both classic and contemporary. Helmed by musician James Allison, the band has just released their energetic and very catchy debut EP No More Room For Love, which we’re more than happy to present here at PopMatters.

by Sean Miller

30 Jun 2015

Recently, I began  looking for developers who design and publish apps with the specific intention of making them artistic. As it turns out, there's not much out there.

Biophilia (One Little Indian, Ltd., 2011)

As an app developer, I’m interested, for self-serving reasons, in app design. But as someone with artistic pretensions, I’d like to consider apps beyond good design. What I’ve been increasingly interested in is app aesthetics in the fullest sense of that word. The other day, I did a little poking around on the intertubes in search of, for lack of a better keyword, “app as art”. I was looking for developers who design and publish apps with the specific intention of making them artistic (however they choose to define that loaded term). As it turns out, there’s not much out there.

As you know, smartphones, and accordingly, the software that makes them “smart”, haven’t been around for long. IBM made the very first smartphone back in 1992. They called it Simon. It was clunky, monochromatic, and not all that smart. It sold for US$899. The first smartphone to sell in decent quantities (at least in the States) was the Kyocera 6035, which came out in 2001. The smart part of its functionality was based on the Palm OS. It was basically a PalmPilot duct-taped to a cell phone. Setting the notorious corporate incursions of the “Crack”-berry aside, smartphone adoption didn’t explode into global consumer consciousness until the release of the very first iPhone, back in the Pleistocene epoch of 2007. The first Android device followed shortly thereafter in 2008.

by Adrien Begrand

30 Jun 2015

Singer-songwriter Eszter Balint's  first album in more than a decade, while eclectic, retains a remarkable consistency throughout.
Photo by
Deborah Zeolla

If the name Eszter Balint doesn’t ring a bell, if you’re a regular viewer of Louie CK’s acclaimed series Louie, you’ll remember her as his character’s love interest Amia last season. In addition to being an actress, though—she’s appeared in films by Jim Jarmusch, Woddy Allen, and Steve Buscemi—the Hungarian-born Balint is an accomplished musician, and has played on albums by Marc Ribot, Angels of Light, and Swans. As you can tell, she’s clearly highly regarded by some of the biggest talents in two different mediums.

Her new album Airless Midnight is her first since 2004’s Mud, and PopMatters is pleased to premiere it here. Featuring appearances by Ribot and Sam Phillips, Balint, who plays guitar, mandolin, violin, and more, creates an eclectic collection of songs, but retains a remarkable consistent tone and theme throughout.

by Brice Ezell

29 Jun 2015

In light of  the Supreme Court making same-sex marriage the law of the land in the US, prog rockers Coheed and Cambria take the words of dissenting justice Antonin Scalia and set it to sweetly played acoustic guitar, to predictably hilarious results.

Antonin Scalia remains the United States Supreme Court’s most famous curmudgeon. Even more attention-grabbing than his textualism are his vociferous dissents, which often evoke the classic, “Hey, you kids get off my lawn!” mentality. Such was certainly the case with Scalia’s dissent on the 26 June decision on the case Obergefell v. Hodges, the 5-4 call of which made same-sex marriage the law of the land in the United States. With lines like “ask the nearest hippie” (yes, an actual thing said in a Supreme Court dissenting opinion), Scalia made his legendarily cantakerous presence known.

Not ones to let a dissent ripe with humor go to waste. the progressive rock/metal outfit Coheed and Cambria took some choice bits of Scalia’s opinion and set it to music. This undoubtedly humorous interpretation, hosted by Funny or Die, can be viewed in the player below.

by Michael Barrett

29 Jun 2015

As the Criterion  Collection's ever-growing roster shows, there are simply too many great pictures out on home video to know what to do with.

Valerie and Her Week of Wonders (1970, dir. Jaromil Jireš)

We know you’ll sympathize, dear reader, when we whine that Criterion is putting out too many damn fine Blu-rays to keep up with. Pity us, watching masterpiece after masterpiece and having to put pen to paper, or finger to keyboard, or synaptic impulses into digital space, to explain our insights. It’s all too much.

Sometimes, we just have to give briefer takes on these releases, so here’s ten films to watch and why. Bottom line: All are worth your time.

//Mixed media
//Blogs

Why Aren't More Artists Working in the Medium of the Mobile App?

// Moving Pixels

"Recently, I began looking for developers who design and publish apps with the specific intention of making them artistic. As it turns out, there's not much out there.

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