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by PopMatters Staff

20 Oct 2016

Bastille are a  band that goes for the grand and bombastic most all the time, and "Send Them Off!" is no exception.

Andrew Paschal: Right down to their French Revolution-referencing band name, Bastille are a band that goes for the grand and bombastic most all the time, and “Send Them Off!” is no exception. Of course they would employ a horn section here; after all, such instrumentation is perfectly suited to their histrionic purposes (nothing against horns, but they can be easily and severely misused). While I appreciate the exploration of psychological unrest as expressed through the repeated plea, “exorcise my mind”, the track is ultimately way too vanilla and extraverted to convincingly illustrate the claustrophobic discomforts of anxiety and jealousy. [4/10]

by Sarah Zupko

20 Oct 2016

Lizz Wright celebrates  the music of Ella Fitzgerald at a special concert this Saturday, October 22nd at the Apollo Theater in NYC and shares new video.

Photo: Jesse Kitt

Honey-voiced singer Lizz Wright is equally at home in jazz and soul and she brings those two traditions together in her video tribute to jazz vocal legend Ella Fitzgerald as her centennial birthday arrives in April 2017. Wright has chosen Hoagy Carmichael’s 1938 classic “Nearness of You”, which found it’s biggest success with the Glenn Miller Band’s rendition in 1940. Wright‘s phrasing on the tune is phenomenal as she digs into the song’s meanings to deliver a new version of the well-known tune for modern times.

by PopMatters Staff

20 Oct 2016

Hot tracks about  consumerism are wicked cool.

Adriane Pontecorvo: This is about as grimy a throwback as anyone could ask for, from the piles of hot dogs to the chainsaw interlude, and that’s exactly what it’s meant to be: a grungy, messy song so inspired by the Beastie Boys that even without Mike D. making a cameo, it wouldn’t be a leap from one group of loud, snot-nosed kids to the other. It’s not the kind of song you can really dance to or send home to mother, but it’s good and cathartic—the first couple of times. Too much of it, and you’ll end up with something like a post-caffeine headache. [6/10]

by Sarah Zupko

20 Oct 2016

This is some  seriously great psych music that proves Dinowalrus are very much masters of their domain.

Photo: Ben Kulo

Brooklyn’s Dinowalrus recently released their fourth album, Fairweather, which extends the psychedelic rock band’s palette into the mesmerizing, trippy, dancey vibes of late ‘80s/early ‘90s Manchester and the more dreamy side of Britpop. The band’s latest single is “Tides”, a song that wraps you up inside its swirling textures. The video honors the music beautifully with its inventive use of color and shifting tones. This is some seriously great psych music that proves Dinowalrus are very much masters of their psychedelic domain.

by Jorge Albor

20 Oct 2016

There is no  tranquility in the music, only menace.

I thought that I knew what a rhythm game was. Even back in my PaRappa the Rapper days, rhythm games were about losing myself to the beat. It was about achieving that much sought feeling of flow. From Rock Band to AudioSurf, even at their most difficult settings, you could find a kind of zen in the performance of music. Going into Thumper with this perspective was a huge mistake.

Developed independently by Drool, Thumper is aptly called a “rhythm violence” game, a moniker I didn’t know before picking up Thumper earlier this month.  The strange shapes and psychedelic colors that surround the game’s brightly winding path certainly bears a striking resemblance to other calming rhythm games. Looking just at screenshots, like I did, you’d be excused for believing the landscape was some gyrating reflection of the music meant to calm your mood and lull you into a steady musical pattern.

//Mixed media

The Anti-Zen of 'Thumper'

// Moving Pixels

"There is no tranquility in the music, only menace.

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