Latest Blog Posts

by Brice Ezell

27 May 2015

The Mix Tapes'  "Just Don't Get It" exists at the intersection between Telecaster twang, Spoon-esque indie rock, and the music of the Beatles.

Drummer/vocalist Kitty Pause and guitarist/vocalist Skool-Ejekt helm a roots project called Hymn for Her. What a surprising—and delightful—turn of events, then, to see them pull a clever sonic 180 in the form of their new project the Mix Tapes, where they are joined by bassist/vocalist Reverend Rewind (of Go Man). The debut of the Mix Tapes, the modestly titled #1, finds the trio crafting tunes that bring together punk, vintage pop, and indie rock into one straightforward and catchy mold. For one such example, stream the number “Just Don’t Get It” below; the track is comprised of equal parts Spoon-esque rock and sing-alongable Beatles pop.

“Just Don’t Get It” is no mere mishmash, though. As far as the Mix Tapes’ rock chops are concerned, one need only read this anecdote from when AC/DC‘s Brian Johnson saw the group perform live: “He caught a show and told us that it was the most entertained he’d been since the Beatles died,” says Reverend Rewind, adding, “You do the math.”

by Brian Hoffstein

27 May 2015

With vibrant performances  by artists including St. Vincent and TV on the Radio, the first half of the bi-annual Boston Calling Festival brought additional excitement to Memorial Day weekend.
Photo: Marina and the Diamonds (by
Samara Vise)

Memorial Day Weekend kicked off in style at the Boston Calling Festival. The three-day event, set beneath the buildings surrounding City Hall Plaza, received strong performances from headliners Beck, My Morning Jacket, and the Pixies, with a well-rounded supporting cast that included Tame Impala, St. Vincent, and TV on the Radio.

by Brice Ezell

27 May 2015

In taking on  a tune by the great Sam Cooke, Amy Black dives into a joyous vocal performance and a goofy character to really "Bring It On Home".

Alabama’s famed Muscle Shoals has long been a goldmine for the recording of great music, particularly in the Americana, blues, and roots genres. For Amy Black, her ties to the town are more personal, as both of her parents were born there. In channeling both her own past with Muscle Shoals and her love for gospel, roots, and R&B, Black took to the town’s FAME Studios to record The Muscle Shoals Sessions, her third solo outing, drawing from legendary sources of inspiration such as Etta James, Mavis Staples, Wilson Pickett, and Aretha Franklin. Another key tribute on the album is a cover of Sam Cooke’s “Bring It On Home to Me”, the fun and goofy video of which you can view below.

In the press release for The Muscle Shoals Sessions, Black says, “Making this music has changed me as an artist. It’s altered my musical course and I’m so glad.” One viewing of “Bring It On Home to Me” and it’s easy to see that she’s right on the money.

by Brice Ezell

27 May 2015

New York City  chanteuse Rachel Lynn brings on a bevy of ballet dancers to enhance the vivid drama of her piano-led number "The Claim".

Rachel Lynn, a powerhouse vocalist out of New York City, bolsters her take on pop with her classical training as a singer, something quite uncommon in the modern pop landscape. Such vocal gusto is more than obvious from a single spin of her tune “The Claim”, which finds her in striking form.

by Sloane Spencer

27 May 2015

When you dive  into Bandcamp to find new music outside of your normal circles, you sometimes hit paydirt. Enter: Year of October.

Phlecia and Josh Sullivan are Year of October, creatively and personally (as husband and wife) joined together. Originally from Kentucky, the band has been in Nashville for a few years, touring regionally and self-recording and self-producing their two albums thus far. Year of October is outside of our circle within Nashville; I actually discovered them through Bandcamp.

//Mixed media
//Blogs

St. Vincent, Beck, and More Heat Up Boston Calling on Memorial Day Weekend

// Notes from the Road

"With vibrant performances by artists including St. Vincent and TV on the Radio, the first half of the bi-annual Boston Calling Festival brought additional excitement to Memorial Day weekend.

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