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Tuesday, Aug 26, 2014
Tetherball's brand of catchy rock and roll is equal parts the Cars and the White Stripes.

On the surface, there’s not a whole lot to suggest that Tetherball‘s music is anything more than some pretty hook-heavy rock and roll. For Steve Voss, the man behind the Tetherball name, however, there’s a great deal of deep lyrical exploration beneath the music’s surface, saying in the press release for his latest record Whimsy, “‘Tetherball’ deals mostly with the concepts of madness and perception.” Philip K. Dick, a science fiction writer as obtuse as he is beloved, is cited as an inspiration for much of Whimsy‘s material.


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Tuesday, Aug 26, 2014
by PopMatters Staff
Oasis releases stream of the demo for "She's Electric" from the forthcoming Super Deluxe Box Set of (What's The Story) Morning Glory? dropping 30 September.

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Tuesday, Aug 26, 2014
Backed only by synths, bass, and analog drum machines, HEIDEMANN lets her strong vocals soar on her debut EP.

Brooklyn-based (who isn’t these days?) musician Monika Heidemann, who records under the all-caps HEIDEMANN, peddles in emotive-synth driven music that emphasizes her voice. The instrumental backing to her music, comprised of synths, bass, and analog drum programming, is largely unobtrusive, allowing her voice to rise to the forefront and create a somewhat brooding mood. Orphan, her debut EP, forms a clear statement of intent in this regard.


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Tuesday, Aug 26, 2014
This Sheffield duo takes great care to craft new types of songs on every album, and also tell us that the soundtrack to Sister Act 2 just may be the greatest album ever made ...

Charles Watson and Rebecca Taylor get bored with their own music pretty easily.


That’s not to say they don’t love it or love crafting it or refuse to play older songs at shows, no. However, in their short lifespan, this Sheffield duo have made notable changes to their sound from album to album, as the clap-and-stomp folk-rock of 2010’s Yeah So is notably different from the irreverent, more fleshed-out full-band workouts that made 2011’s great Paradise what it was. Perhaps even more impressive than their discography has been their incredibly notable videography as well, which has featured everything from impressive Daniel Radcliffe cameos to their viral “Two Cousins” concept, stunning in its simplicity but effective nonetheless.


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Tuesday, Aug 26, 2014
The lush, synth-driven environs of the Frail's LoveDeathLegends is perfect for fans of Hot Chip and Michael Jackson.

From a single synthesizer one can generate a seemingly endless repertoire of sounds, a fact which an equally endless amount of young bands around the world have capitalized on since the creation of that instrument. The Frail finds itself amongst this burgeoning electronic music scene, and like the genre’s luminaries, it’s a group that knows quite well how to wring a potent hook out of its synth arsenal. The trio is comprised of Daniel Lannon (vocals and synths), Israel Chavarin (bass), and Kevin Durr (synths). Their debut, LoveDeathLegend, follows two EPs, Count on This and the fittingly titled Lasers Over Lovers. LoveDeathLegend finds The Frail making a mellifluous batch of synth-driven pop tunes, enhanced in large part by Lannon’s Michael Jackson-esque vocals.


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