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Wednesday, Aug 27, 2014
by PopMatters Staff
For those interested in acquainting themselves with the alternative rock's rich and diverse early years, Sound Affects has assembled this '80s alt-rock primer.

In 2014, alternative rock is a standard fixture of the musical landscape. This is an era where Coldplay regularly placing near the top of the pop charts, Foo Fighters and Red Hot Chili Peppers filling stadiums, Radiohead and Arcade Fire racking up Grammy Award nominations, and Nirvana essentially being begged to be honored by the Rock and Roll Hall of Fame are normal, even expected, occurrences. One not even need look beyond PopMatters itself for confirmation, for like any other current critical publication online or off-, a sizable percentage of new rock releases reviewed will originate from the alternative/indie spectrum due to sheer volume and the ubiquity of the style.


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Wednesday, Aug 27, 2014
The idea of a video game character that suffers a general decline seems counter to the way in which games are designed. Who wants to get less capable as a character as they progress?

This post contains spoilers for Spec Ops: The Line


Defined in the broadest sense, traditionally comedies are narratives that resolve in a positive way. They are expected to result in a happy ending. The tragedy, however, is a lesson taught via witnessing the ultimate demise of an individual, a demise brought about through steadily declining circumstances. Within this broad context, modern video games could be associated more easily with comedy than they could be with tragedy.


Pac-Man (and maybe all early arcade games) is a tragedy of sorts. It is a “story” about a creature obsessed with consuming dots that will inevitably reach a bad end, since the game cannot be won, cannot be resolved. Modern video games are seldom like Pac-Man, concerned as they are with winning the game and resolving a narrative arc that represents that goal of games, “winning.” Indeed, perhaps games in general, when they take on the trappings of plot, character development, and other aspects of storytelling, are always prone towards comedy because the goal of games in general is to win. A happy outcome (for someone at least) is generally expected in games.


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Wednesday, Aug 27, 2014
Flicker Alley's new Blu-ray/DVD combo We're in the Movies: Palace of Silents and Itinerant Filmmaking provides a glimpse into obscure corners of film history.

In a phenomenon that historians have called itinerant filmmaking, small companies made a living traveling to various towns and making films. They might advertise in the paper, or they might pitch the project to city councils or booster groups as a promotional idea. They got paid to shoot local amateurs in little stories around carefully chosen locations. The small crew, sometimes just a director and a cameraman, would shoot and edit the picture and then give the print (usually the only copy in existence) to whomever had commissioned it. Then they would move on to the next town.


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Tuesday, Aug 26, 2014
Tetherball's brand of catchy rock and roll is equal parts the Cars and the White Stripes.

On the surface, there’s not a whole lot to suggest that Tetherball‘s music is anything more than some pretty hook-heavy rock and roll. For Steve Voss, the man behind the Tetherball name, however, there’s a great deal of deep lyrical exploration beneath the music’s surface, saying in the press release for his latest record Whimsy, “‘Tetherball’ deals mostly with the concepts of madness and perception.” Philip K. Dick, a science fiction writer as obtuse as he is beloved, is cited as an inspiration for much of Whimsy‘s material.


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Tuesday, Aug 26, 2014
by PopMatters Staff
Oasis releases stream of the demo for "She's Electric" from the forthcoming Super Deluxe Box Set of (What's The Story) Morning Glory? dropping 30 September.

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