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by Sachyn Mital

29 Mar 2017

Red Baraat's annual  Festival of Colors show rocked a snow laden Hartford on a Saturday evening.

The new (to me) Infinity Music Hall in Hartford played host to Brooklyn dhol and brass band Red Baraat on a post-show Saturday during March Madness. Those two factors likely had a measurable impact on the attendance, but those faithful fans who made it out were seriously into the music. Some were even families with kids—and all were dancing unabashedly to the bhangra fusion.

by PopMatters Staff

29 Mar 2017

It's been a  while since we heard from Gorillaz; this is a very solid way to return.

Jordan Blum: I’d be happy about this almost by default just because it marks the return of Gorillaz. There’s a nostalgic sense of joy that comes with seeing these mascots back in action. Luckily, the video and music is actually really solid. In fact, the opening gives the band more personality than I’ve ever seen before, and the colorful and crude haunted house vibe is a perfect continuation of their beloved vibe. As for the track itself, I didn’t expect the reggae forefront, but it fits well with the eerie backing track. After all, Gorillaz has always been about merging styles and never really sticking to any set sound, so this works. Of course, when Albarn adds his unmistakable essence, it’s classic Gorillaz. If the whole new record combines newness with trademarks this well, it’ll be great. [9/10]

by PopMatters Staff

29 Mar 2017

Backed primarily by  sparse acoustic guitar, "Nashville 1972" is a lovely country/folk number that recalls Crowell's salad days.

PHOTO: JOSEPH LLANES

Chris Ingalls: Rodney Crowell has been one of country music’s most revered, mature voices. While so much contemporary country consists of clowning around pickup trucks, Crowell has spent decades establishing himself as a superior songwriter, albeit one who gets more props from critics and his fellow songwriters. Backed primarily by sparse acoustic guitar, “Nashville 1972” is a lovely country/folk number that recalls Crowell’s salad days, full of lyrical detail and delicate fingerpicking. It’s a wonderful tribute to a bygone era that Crowell still remembers vividly. If the rest of Crowell’s upcoming album is this good, we could have a contender for album of the year. It’s that good. [9/10]

by G. Christopher Williams

29 Mar 2017

Wake me when  the game gets weird again.

Dead Rising 4 is the Saltine cracker of the Dead Rising franchise. It’s just bland.

Yes, there are zombies, lots and lots of zombies. Yes, there are a ton of over the top weapons to cut up, electrocute, and burn huge swathes of the undead with. Yes, you can still wear silly outfits while doing such violence.

by Jedd Beaudoin

29 Mar 2017

New York quartet  explores loss, change on new EP and new track.

We are pleased to premiere “It’s Not Easy” from the new EP by New York’s Dolly Spartans, Time Sides With No One, out March 31 via Blue and Lucky. The song and the record from which it is culled were inspired by personal tragedy. In 2016, Spartans guitarist Christopher Elmer died unexpectedly, spurring guitarist/vocalist Michael Eliran to express his grief through songwriting. That sense of loss and frustration can be heard across the EP and “It’s Not Easy” in particular. The track speaks to the pendulum swing from sadness to celebration and all the spaces in between. As Eliran himself says, “The song is about feeling overwhelmed when adapting to new stages in one’s life”

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Red Baraat Blows Hartford Hall Down Celebrating the Festival of Colors (Photos)

// Notes from the Road

"Red Baraat's annual Festival of Colors show rocked a snow laden Hartford on a Saturday evening.

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