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by PopMatters Staff

24 Feb 2017

Sampha takes us  into the deepest, warmest parts of his heart and mind with emotional single “(No One Knows Me) Like the Piano”.

Mike Schiller: Sampha’s been riding a wave of under-the-radar success thanks largely to memorable guest spots with Drake, Kanye West and Solange, and it feels like he’s barely a step away from hitting pop radio and turning his sizable talent into megastardom. This is probably not that step, but it is further confirmation of the power and beauty that Sampha brings to his music. The ring of the piano itself is beautiful here; the slightly distant sound we get from (presumably) using an upright rather than a grand piano is perfect for the mood Sampha’s going for, and his words—and they way he delivers those words, pushing through some of them, falling off toward the ends of lines—are absolutely, stunningly gorgeous. [9/10]

by PopMatters Staff

24 Feb 2017

Depeche Mode's "Where's  the Revolution" has no time for the rabble that won’t be roused.

Adriane Pontecorvo: The world’s coolest dads are back with a snarling, on-the-nose critique of jingoism, current politics, and, above all, a lack of full-scale revolt. Their electronics are as sharp and slick as ever, layers of rocking synths and growling guitars that build as Dave Gahan bitterly tries to fan the flames of rebellion. Depeche Mode didn’t come this far to let the masses stay comfortable. This is a band that’s here to rile the blissfully ignorant and the unduly comfortable, and “Where’s the Revolution”, has no time for the rabble that won’t be roused. [7/10]

by Jonathan Frahm

24 Feb 2017

Beth Bombara has  a knack for evoking potent emotions in her performances, and this much is evident in "Sweet Time".

Photo: Nick Burrell

Sometimes the best works of art are created in the most harrowing of moments. Such was the case for singer-songwriter Beth Bombara through the development of her upcoming album Map and No Direction. The Americana artist has previously described her upcoming record as written over “a couple months of a can’t-quite-get-out-of-bed, always-tired-but-can’t-sleep kind of depression”.

by Nick Dinicola

24 Feb 2017

Fire Emblem  Heroes desperately and shamelessly wants to monetize our love for these characters, yet it has no idea why we came to love them in the first place.

I’m a relatively new fan of the Fire Emblem series. Like a lot of people, I came to the series through the 3DS game Fire Emblem: Awakening. Also like a lot of people, I was interested in the mobile game, Fire Emblem Heroes. Now that Heroes is finally out, it can be compared and judged against the rest of the series, and unfortunately for fellow fans of Awakening, the mobile game ignores what made the 3DS game so special. 

by PopMatters Staff

23 Feb 2017

D.R.A .M. redeems the term "cute" and makes an appealing plea for its return as a compliment.

Steve Horowitz: This is a truly adorable video and an endearing song. Muppet love! And damn, D.R.A.M. has an infectious grin. Musically the song is infectious pop with a not so innocent-innocence. The catchy hooks and beat make the time go fast and before one knows it, one has to play the song again. There was a time not so long ago where the word “cute” was used as an insult as in “Don’t get cute.” D.R.A.M. redeems the term and makes an appealing plea for its return as a compliment. Kudos are in order! [9/10]

//Mixed media
//Blogs

'Fire Emblem Heroes' Is a Bad Crossover

// Moving Pixels

"Fire Emblem Heroes desperately and shamelessly wants to monetize our love for these characters, yet it has no idea why we came to love them in the first place.

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