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Friday, Jul 25, 2014
I know that you’ll feel better when you send us in your letter and tell us the name of your favorite vegetable. In the meantime, this week’s Counterbalance looks at a 1967 classic, lost and found.

Klinger: So the story goes that in 1966, Beach Boys leader and pop music wunderkind Brian Wilson was on a mission. He was not only out to top himself, but he recognized that the entire pop game was changing. His friendly rivalry with the Beatles had escalated once again as the Fabs answered his Pet Sounds with the equally (more?) adventurous Revolver. Recruiting upstart lyricist Van Dyke Parks and very nearly every session musician in Los Angeles, Wilson started composing his “teenage symphonies to God”, the album that would be his magnum opus: SMiLE. What happened next became the stuff of pop lore for 40 years.


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Friday, Jul 25, 2014
Is story so tangential to the gaming experience that even a self-professed story-lover can play an entire game and not glean a single plot point from it all?

I hate skipping cut scenes. I never do it. I understand wanting to get into the game quickly, but cut scenes are important. They’re part of the experience, whether you like them or not, and they’re a major mouthpiece for what the game is about thematically. Beyond that, I’m very interested in how games tell a story, their ambition versus the reality of execution. Often the failures are just as interesting as the successes.


But all that didn’t stop me from skipping the cut scenes in Sniper Elite 3, and the one important story cut scene in the Destiny beta. I know, I’m a bad person, but I just didn’t care. I didn’t care about the characters, I didn’t care about the plots, and I didn’t care about the themes. I didn’t care about anything those games had to say, and I don’t know exactly why.


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Friday, Jul 25, 2014
Rob Reiner fuels this old hat hokum with below-grade over-earnestness.

Linda Ellerbee remains a media radical. In the ‘70s and ‘80s, she was part of a the highly acclaimed NBC news show, Weekend, before headlining the cult phenomenon, Overnight. In 1986, she published an amazing memoir of her time in the spotlight. Entitled And So It Goes, it covered… what, wait? That’s not what we are talking about here? No?


Oh, it’s the new movie, And So It Goes, starring Oscar winners Michael Douglas, Diane Keaton, from a script by As Good As It Get‘s co-writer, Mark Andrus, and directed by former quality filmmaker Rob Reiner. Damn. TV back then was so much more scintillating. Ellerbee’s story is a billion times more interesting than this tired RomCom trope featuring aging adults of divergent backgrounds coming together over a kid.


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Friday, Jul 25, 2014
If you surgically grafted a snippet of Flowers for Algernon and a low-end documentary about the human brain onto a Cliff Notes summary of La Femme Nikita, the result might approach the lazy schizophrenia of Luc Besson's latest fembot warrior fantasy.

Luc Besson has been impatient when it comes to shootouts ever since 1990’s La Femme Nikita. A typical scene that we’ve seen him repeat from that film to 1997’s The Fifth Element to his newest, Lucy, goes as follows: a lone armed hero or villain walks swiftly into a room filled with many other characters with guns. The lone gunperson lets off many, many rounds in the blink of an eye. Everybody else falls down dead.


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Thursday, Jul 24, 2014
by PopMatters Staff
Luc Besson directs Scarlett Johansson in LUCY, an action-thriller that tracks a woman accidentally caught in a dark deal who turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.

One (1) winner receives:
·      Unlock your full potential with a $50 Visa gift card
·      Plus a LUCY T-Shirt & Hat


 
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