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by Jason Mendelsohn and Eric Klinger

29 May 2015

Get a drink , have a good time now. Welcome to paradise, and read all about the 305th most acclaimed album of all time. An Australian plunderphonics pioneer is this week’s Counterbalance.

Mendelsohn: The other day I was listening to music and thinking about the Bible. Not the fun parts where the world ends or people get smote, but the rather dry part—specifically Chronicles 1, with all the begats and what not. I was thinking about lineage. Tracing lineage can be incredibly boring, because forsooth, I’m not sure why it’s important to know that Abigail childed Amasa. Having said that, I’m going to trace some lineage in hopes of explaining why the Avalanches’ Since I Left You, released in 2000 the Year of Our Lord, was such a critical and commercial success and how exactly a couple of ex-punks from Australia made it happen. I’ll dispense with all the begats and forsooths in favor of terms like turntablism, sampling and plunderphonics. Ah, who am I kidding? Let the begatting begin.

by Nick Dinicola

29 May 2015

White Night  is annoying largely due to its own beautiful and haunting art.

White Night is a striking game to look at. It’s all black and white with hard shadows to give shapes definition, like a Sin City panel come to life. At first, the game seems to contain the perfect combination of art and story.White Night is a tale in the tradition of noir, but about a haunted house. Its hard shadows hide the violent ghosts of an angry mother, and its light streams from the protective ghost of an innocent lover. It’s a beautiful and haunting game to look at, but it’s a rather annoying game to play. And it’s annoying largely due to its beautiful and haunting art.

by Brice Ezell

29 May 2015

"Great Electric Teenage  Dream" opens up No-Man wordsmith Tim Bowness' new studio album with gusto, powered by the booming drums of Pat Mastelotto (King Crimson).

Tim Bowness, one half of the British art-rock duo No-Man, recently announced his latest solo venture, Stupid Things That Mean the World. Bowness is clearly in the middle of a creatively fertile period, as his new record comes not long after his excellent 2014 outing Abandoned Dancehall Dreams.

PopMatters is proud to premiere the first video tied to Stupid Things that Mean the World, for the haunting track “Great Electric Teenage Dream”. With powerful drumming reminiscent of the booming opener to Abandoned Dancehall Dreams, “The Warm-Up Man Forever”, the song is a rocker of an intensity rarely heard in the music of No-Man. While Bowness’ music in that duo, where he is joined by Steven Wilson on instruments, is often minimalist and introspective, on “Great Electric Teenage Dream” he cranks up the rock dynamics considerably. The music heightens the stark past/present contrasts Bowness highlights in his lyrics, some of which he no doubt knows all too well: “Your great electric teenage dream / Once a record / Now an unpaid stream.”

by Brice Ezell

28 May 2015

The cinematic adaptation  of David Lipsky's Although Of Course You End Up Becoming Yourself features Jason Segel as literary giant David Foster Wallace.

As far as 20th century literary figures go, few are held in high repute as much as the late David Foster Wallace (1962-2008). Unsurprisingly, then, people have had a desire to further understand and process the man and his work, which in part explains the decision to make a film wherein he is a main figure. James Ponsoldt’s The End of the Tour is such a film; an adaptation of David Lipsky’s Although of Course You End Up Becoming Yourself, it tells the story of a road trip Lipsky takes with Wallace while the latter is on a book tour. Jesse Eisenberg plays Lipsky, and Jason Segel takes on the lofty task of portraying Wallace.

by Christopher Forsley

28 May 2015

The charisma of  Giuliano Gemma and some stellar action sequences can't save this sub-par spaghetti western.

With his elaborate stunts and lady killer smile, Giuliano Gemma ranks among the most popular spaghetti western stars. He’s not the greatest actor in the genre, but he’s one of the most fun to watch, easiest to root for, and most productive. While his films range in quality, which is only natural for a spaghetti western actor, his productivity has led fans of the genre to develop a familiarity with him that makes his presence a pleasure, regardless of how mediocre the film he stars in is.

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Counterbalance: The Avalanches' 'Since I Left You'

// Sound Affects

"Get a drink, have a good time now. Welcome to paradise, and read all about the 305th most acclaimed album of all time. An Australian plunderphonics pioneer is this week’s Counterbalance.

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