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Thursday, Aug 21, 2014

Photos by Mark Manary


Joan Jett strolled on stage in Sedalia, Missouri, at the Missouri State Fair with a gum-chewing grin, fiddled with her Gibson for a couple seconds, and then ripped into an opening trifecta:  punk proclamation “Bad Reputation”,  The Runaways classic “Cherry Bomb”, and the grandstand-rattling “Do You Wanna Touch Me (Oh Yeah)”.  After shedding her black leather jacket, she exhibited her wiry frame, jogging around the stage, still like a teenage Leather Tuscadero in a spandex chevron jumpsuit and Chuck Taylors.


Jett was intent on showcasing her first new album in seven years, last year’s strong yet underrated Unvarnished, playing six of the album’s ten songs, including the Hurricane Sandy-inspired “Make It Back”, the Dave Grohl collaboration “Any Weather”, and “Soulmates to Strangers”, a co-write with Against Me’s Mary Jane Grace.


The parade of new songs was broken up with three older self-penned numbers:  the first song she ever wrote, The Runaways’ “You Drive Me Wild”, 1981’s “Love is Pain”, and “The French Song” (Joan’s “all-time favorite video”) from 1983’s Album.


But this is a state fair and with the smell of funnel cakes and diesel in the air, the people had come to pump their fists to the hits while trying not to spill their $5.75 Bud Lights. Just when the crowd seemed to waver on unfamiliar new album material, Joan delivered the haymaking threesome of “I Love Rock ‘n Roll”, “Crimson and Clover”, and “I Hate Myself For Loving You”.  After introducing her Blackhearts during the three-song encore, she summed up her message of rebellion, individualism, and acceptance with Sly Stone’s “Everyday People”.



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Thursday, Aug 21, 2014
Check out a trio of remixes of "Wasteland", a song by the English art rock outfit Satellites.

When Johnny Vic dropped off a couple of his CDs that he made under the name Satellites in London record shops, he found that they sold out rather quickly in most cases. Following up on this momentum, Satellites crafted a full-length LP, .02, which was released in the UK last year, and will soon see its stateside release. Below you can check out three remixes of the .02 number “Wasteland”.


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Thursday, Aug 21, 2014
Frank is an enjoyable, offbeat comedy about the least approachable band ever, the Soronprfbs, and how their newest member aspires to make them more likeable.

You don’t need to be aware of the fact that Frank is loosely based on a real life musician, Frank Sidebottom, and author Jon Ronson’s (who co-wrote the film) brief stint as the keyboard player with his band (the Frank Sidebottom Oh Blimey Big Band) to enjoy the quirky film. In fact, it isn’t even really relevant except for perhaps some insight into the screenplay, where you can find hints of film dialogue in this article by Ronson over on The Guardian.


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Thursday, Aug 21, 2014
Making the big dumb rock gesture isn't always the cool thing to do. But a good musician always knows when it's best to do it anyway.

In Noisey’s British Masters interview series, there is an exchange from the episode spotlighting once-and-future Smiths guitarist Johnny Marr that delights me to no end. When asked what the impulse behind his laying down a fist pump-inducing solo on the Smiths single “Shoplifters of the World Unite” was, the normally anti-rockist Marr first searches for the right words, then simply admits it felt right to just go for it (well, his actual phrasing was far more blunt—the curious can view the footage for his uncensored phrasing below). Marr then expresses his joy at watching a YouTube video featuring some long-hair dude rocking out to the solo in question (“It was worth it just for that guy’s response”), and goes on to state he never took a shine to heavy metal, only to then immediately recount the time the Smiths (“That’s everybody in the band”, he relishes emphasizing to the interviewer) went to a Van Halen concert. Fixating mainly on Eddie Van Halen’s pleased-to-be-here approach to performing, Marr recalls, “It was so brilliant to see someone sort of carried away by, like, dumb-ass rock ‘n’ roll, you know, and how brilliant he was.”


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Thursday, Aug 21, 2014
Riding into the great unknown in the belly of a metal beast. This beast also has a machine gun.

Titanfall’s second DLC pack, Frontier’s Edge is out and the name couldn’t be more fitting. It’s not really because of the in-game thematic meaning; the Titanfall’s unobtrusive space imperialists vs. space rebels remains an interesting, yet relatively unimportant backdrop. The idea of the frontier is more of a meta theme. Where does the game go from here and am I going to be able to follow?


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