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Tuesday, Sep 2, 2014
The Polyphonic Spree's 'Psychphonic' summer tour is nearing it's end and it was a psychedelic trip worth taking.

The Polyphonic Spree have over 20 members in their band (a smaller amount for this tour) and are currently wrapping up a Summer tour that supports their most recent album, Yes, It’s True. This was my first time seeing them live and, upon first glance at the band, I was immediately struck by two different visions of what I was seeing. Their ‘60s apparel, particularly band leader Tim DeLaughter’s shaggy hair and flowing shirt made it seem like I was either taking a peek into a party with a lot of marijuana smokers or witnessing a cult-leader try to persuade people to join his brainwashed masses. The spinning disco lights that lit most of the show furthered the first hypothesis, that and their Flaming Lips-esque trippy music of course. The show wasn’t sold out but the fans packed in tight near the stage to gaze rapturously into DeLaughter’s eyes presumably. It was such a positive experience that the band did their breakaway hit “Light & Day” twice back to back just wantonly throwing their positivity about.


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Tuesday, Sep 2, 2014
Time to put a fork in the 2014 Summer Movie Season. Here are the 10 Best and 10 Worst films that filled our hot, sticky days with cinematic joy, sorrow and boredom.

As the final days of August recede in the rearview mirror, as Hollywood prepares for its second massive movie dump of 2014 (January through April being the first of such cinematic exiles), it’s time to reflect on the best and worst of what turned out to be a surprisingly uneventful Summer season. Indeed, with only one movie making significant inroads worldwide (yep,  Michael Bay’s tepid Transformers: Age of Extinction managed to break the billion dollar bank around the planet) and no domestic release reaching $300 million, Tinseltown is hanging its head in shame.


Sure, there were significantly less flops this time around than last year (Sin City: A Dame to Kill For and Hercules being the ‘lone’ exceptions), but there were also more mediocrities. Indeed, bad movies have been replaced by “meh” movies in 2014, films you can neither love nor loathe.


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Tuesday, Sep 2, 2014
Pacific Northwest singer/songwriter Sara Jackson-Holman pays tribute to the fleeting summer months with her latest video, "Summer Song".

Just over a month ago, PopMatters premiered the video to Sara Jackson-Holman‘s “River Queen”, the title track off of her new EP. Now, the echoey-voiced Jackson-Holman has released another video, this time for the longing and lovely piano ballad “Summer Song”, her newest single.


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Tuesday, Sep 2, 2014
A decade later, Green Day's politically charged concept album remains one of the best, most important records of its era. The newest Between the Grooves series examines it in detail, starting with its mission statement title track.

Prior to 2004, few people would classify the music of Green Day as particularly sophisticated, intellectual, or thematically mature. Sure, “Good Riddance (Time of Your Life),” with its poignancy, fragility, and beautiful orchestration, quickly became the introspective acoustic ballad of a generation, and fun singles like “When I Come Around” and “Basket Case” were amongst the catchiest mainstream songs of their era. However, for the most part the ‘90s saw Green Day dominating the airwaves as little more than a premier punk rock group. The band emblemized a contemporary take on the rowdy counterculture retaliation of ‘70s icons like the Clash, and while it did an excellent job of it (don’t get me wrong), no one ever expected the trio to branch out of its preset genre limitations stylistically, conceptually, or technically.


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Tuesday, Sep 2, 2014
While it is now under the umbrella of a non-profit foundation, the Newport Folk Festival still remains one of the top Summer festivals for an artist to play.

It wouldn’t be hard to believe that Jack White, head honcho of Third Man Records, had a say in Saturday’s lineup at the Newport Folk Festival, given that many acts who’ve released something on the label or dabbled with him in the studio appeared that day. There was John C. Reilly and Pokey Lafarge just to name a couple (okay, you want a few more as proof? Try Chris Thile, Shovels & Rope and Haden Triplets). Plus I saw Beck wandering around on Friday (a few days later White made a guest appearance at one of Beck’s shows). White himself was taking in sets from various acts on Saturday, including young guitarist (and NPR-intern reject) Benjamin Booker, his own label’s Language Lessons reading series (Third Man now has a publishing arm) and taking Polaroid selfies with people.


Unfortunately, I couldn’t make it out on Sunday so I missed a ton of good photo ops but it was hard to even catch most of the surprise moments on the days I did go. I missed Mavis Staples do guest appearances at least twice - she joined Lake Street Dive on Friday and Lucius on Saturday for example. Of what I did see (non White-related), Reignwolf put on one of the most aggressive sets. Hozier was quite busy, with two short sets on Friday and Saturday and a proper set Sunday. Ryan Adams was thrilling to see live for the first time. Sun Kil Moon (who didn’t allow photos) expressed concern about the number of white people at the festival and how as he was getting older, his dick “wants to do things” but his body can no longer keep up before singing a song he wrote for his mother. Jimmy Cliff received round after round of applause for a set that included a fantastic cover of Cat Stevens’ “Wild World”.


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