Just in time for the dog days of summer, musician W. Heyward Sims, AKA Devereaux, has released a video for his current single “Bikini”, from the 2014 album Pineapple Flex. A sun-splashed chillwave-meets-Kraftwerk piece that evokes the dreamy, hot laziness of late July, the video itself is simple yet effective, nothing more than slow-motion footage of seagulls swooping on a beach. Normally in real life that’d be annoying as hell, but on video the movement of the birds comes across as languid and graceful, just like the hooky little track itself.
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PopMatters is launching this new section called Singles Going Steady where we will cover new songs and videos using an in-the-round format with multiple writers from the PM staff. Readers are encouraged to contribute their own review and rating in the comments section.
Comprised of former members of West coast indie bands P:ano and Lost Lovers Brigade, synthpop duo Fake Tears heads in a much more different direction, not only finding warmth in artificiality, but juxtaposing a pop aesthetic with a strong experimental mindset. Larissa Loyva and Elisha My Rembold create smart electropop, their rich vocal harmonies meshing beautifully with the vintage sounds of analog synths. It’s a beautiful, classic sound but with a modern perspective, and Second Wind, their debut album for Mint Records, highlighted by the title track, achieves a kind of Giorgio Moroder-meets-Tangerine Dream feel.
Warning: This article contains spoilers for Telltale’s Game of Thrones Episode 5: A Nest of Vipers.
One of my earliest memories is trying to figure out how old my parents would be as I aged. I’ve always been bad at math, so as I counted my age each year on my fingers, I accidentally added ten years to my parents lifespan for each one. You can imagine my shock when I predicted my parents would die of old age before I was even ten. I don’t remember how old I was then, but I do remember crying so hard it was tough to breathe. It was terrifying to know I couldn’t do anything about it.
In “A Nest of Vipers”, the latest episode in Telltale’s Game of Thrones series of point-and-click adventure, you can’t do much about death, but you can choose who lives and who dies. During the climax of the season’s penultimate episode, two brothers, Rodrick and Asher, are ambushed by Whitehill soldiers. Their only escape route is under an iron gate, but one brother has to stay behind to hold it open. How do you choose who stays and who goes? How do you decide who lives and who dies?
Hot off the release of his album Delilah, on producer Dave Cobb’s first release on his new imprint, Anderson East’s performance at the Mercury Lounge in July was full of vim and vigor. Though to be honest, East’s normal performance mode is already so fiery the set show is framed by his friend and guitarist Scotty Murray’s wild preaching.
East was in New York City from Nashville for his, at least, fourth time this year in the build up to Delilah and at this headlining tour stop, Icelandic band Kaleo opened for him. Kaleo don’t perform the typical moody or ethereal music that often comes from the island nation; their music is more folksy and Americana-esque which served as a perfect warm up for the rowdy performance that was to come. Kaleo’s actual set ended up shorter than what was written on the setlist in front of them but I was left curious enough to check them out again (the song “All the Pretty Girls” is a particular standout).
// Moving Pixels
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