“Oz” is a morpheme for Australia. Many know it to be an oblique nod to the other “Oz”, the fairyland setting of Frank L. Baum’s children’s classic. That connection could have had its genesis in Ozma of O” book No.3, published in 1907.
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Tim Easton said of Texas singer-songwriter Adam Carroll, “Adam Carroll is East Texas’ own Shakespeare of song…. His songs belong in Texan and Bayou anthropology courses, but mostly they should belong to your car stereo speakers.” We couldn’t agree more as Carroll’s songs are genuine, poetic, literary and relatable tales of life in Texas, Louisiana and Oklahoma.
This coming Friday, October 28th Austin-based Eight 30 Records is releasing a tribute to the influential Carroll entitled Highway Prayer: A Tribute to Adam Carroll, which includes takes on Carroll’s music by leading Americana luminaries like the Band of Heathens, Hayes Carll, Tim Easton, James McMurtry, and Slaid Cleaves.
Anniversaries are tricky, and music-related anniversaries even more so. On those special days that mark a certain period since a particular work had been released, should you decide to write about the work or its performer, you are bound to critically evaluate a pre-defined “sentiment” that the work has evoked in the collective consciousness, as well as critically assess the “changes” the work has caused in its respective aural category.
The Norwegian duo Röyksopp, and especially their remarkable debut album, Melody A.M., elude a solid definition and they cunningly thwart the mold for the kind of music they make. Each song off their first release is as diverse as a child’s imagination, unmarred by the “sentiments” and “expectations” of the public. It’s because of this incredible diversification of tunes on Melody A.M. that they, one could say inadvertently, brought a wide scope of electronic music into the mainstream in late 2001.
The Deed‘s conceit is that it is a murder mystery in reverse, a kind of anti-procedural, in which you plot a crime, rather than solve it.
By playing The Deed we find ourselves in the uncomfortable position of inhabiting the mind of a murderer. This week, we consider the implications of this role reversal.
As Kino Lorber continues its Blu-ray avalanche of classic, semi-classic and non-classic horror titles, we confess to being a little overwhelmed. There are hardly enough hours in the day to keep up with these low-budget cult offerings while still sleeping and eating. If you feel like buckling down for a Halloween marathon, here’s a sampling of recent releases in chronological order by year.