Australian progressive instrumental heavy rock band We Lost the Sea are set to release their new album Departure Songs on 27 November via Translation Loss Records (pre-order here). The sextet have an incredible knack for creating a cinematic effect with their compositions, and as the heart-wrenching “A Gallant Gentleman” illustrates, they can tell a story without words quite brilliantly.
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I’ve finally gotten around to playing Hotline Miami 2, so I’ve been thinking a lot about blood lately.
For those unfamiliar, Hotline Miami and its more recent sequel Hotline Miami 2: Wrong Number are horrific games full of carnage… and, well, more carnage. In the first game, you play as a psychopath who receives messages on his answering machine that provide locations for him to commit mass murder in. In Hotline Miami 2, you play as a series of psychopaths doing much the same.
The BBC thought Marina and the Diamond‘s Froot should have landed a nomination for the Mercury Prize which was awarded last week to Benjamin Clementine (for At Least for Now). Over the course of 2015, I have found Marina’s album to be an extremely engaging pop record, enough so that it stands in the genre as a favorite (alongside Say Lou Lou) of the year. So I had to see her once more—with the bonus of having Christine and the Queens as openers.
Dallas-based multi-instrumentalist Jeff Ryan has worked with St. Vincent, the War on Drugs, Daniel Johnston, Sarah Jaffe, and many more, but his project Myopic deserves notice, as his beautiful new track proves. Lifted from his upcoming release Two Pieces, which will come out on 11 December, “Playground” was recorded in one take in the playground of the school Ryan’s children attend.
// Moving Pixels
"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.READ the article