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Thursday, Jul 10, 2014
The affable pop of London indie rockers the History of Apple pie has not at all changed since their last LP, as their new tune "Tame" evidences.

The History of Apple Pie have released a new tune from their forthcoming album, Feel Something. This LP follows their debut, Out of View, which PopMatters premiered in the US back in 2013. Just as it was the case on Out of View, the band’s new tune, “Tame”, is a tasty slice of pop, with pumped piano chords forming a jaunty rhythm that complements the song’s somewhat hazy production quality.


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Thursday, Jul 10, 2014
Ruthless reveals a message about capitalism that, if ubiquitous, rings true.

Ruthless is an Eagle-Lion production that must be the most lavish project ever directed by Edgar Ulmer, who spent most of his career working with budgets that seemed barely to include the camera. Thematically, it’s his Citizen Kane or Magnificent Amberson, here seen in a fine print showing off sinuous and ceiling-heavy photography from Bert Glennon and lavish design from Frank Sylos. Unlike the aforementioned films, Ruthless is not great; however, it’s hard to take one’s eyes off of.


Tagged as: edgar ulmer, ruthless
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Thursday, Jul 10, 2014
The ever-eccentric rapper Busdriver has just dropped his newest music video, "Ego Death", featuring contributions from Aesop Rock and Danny Brown.

“Ego Death”, the latest cut from the always-eccentric MC Busdriver, includes the phrase, “Playing patty-cake with Ira Glass.” (It also opens with the timeless question: “Is it sexier than torture?”) The song is indicative of the more song-oriented direction Busdriver has taken following his 2012 release, Beaus$Eros. Like many of the tunes on that record, his hyperspeed flows are anchored by simple hooks that provide continuity to his unmatched verbosity. Joined by Aesop Rock and the always zany Danny Brown, Busdriver once again proves there’s no one out there making rap music like his.


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Thursday, Jul 10, 2014
With summer officially arriving, K-pop in June was filled with huge comebacks from veteran artists like PSY and Taeyang as well as rookie groups like Got7 and the controversial solo debut from Hyomin.

Taeyang - “Eyes, Nose, Lips”


With so many comebacks and debuts going on, sometimes you have to take the risk and stand out with a piano-driven sentimental ballad (being sexy and shirtless in the music video helps too, but we’ll get to that). For his latest comeback, coinciding with his first full-length solo album in four year, Big Bang’s Taeyang has released “Eyes, Nose, Lips”, and made us all swoon. The tender break-up ballad starts with dramatic piano and follows Taeyang’s expressive crooning through confessional verses and a powerful chorus. He sings about his selfishness in their relationship and coming to terms with her leaving, remembering her “eyes, nose, and lips”. To top it all off, the song makes a cinematic modulation for the last chorus, really playing up the cheesy sentiment of the song.


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Thursday, Jul 10, 2014
Stream "Lost the Plot", a slice of bass-heavy, hazy pop from Amoreux' upcoming debut EP, Never Young As Tonight.

The LA-based duo of Holiday J and Nicole Turley have taken on the name Amoreux in making their romantic, hazy dream-pop. A remarkable distinctive for the duo, however, is that rather than getting caught up on the treble end of the sonic spectrum, as many dream-pop bands do, the duo emphasizes rhythm instruments, particularly Holiday J’s distinctive bass playing. “Lost the Plot”, a track from their soon-to-be-released debut EP Never Young As Tonight, balances washes of textural sound with a pronounced low end. Like the rest of the EP, the song retains a loose, improvisatory feel, due in large part to the fact that most of the tracks on the EP were recorded in one take.


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