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by PopMatters Staff

28 Feb 2017

"Please" is a  testament to Blanck Mass' mastery of manipulating the space between notes to build a euphonious yet dizzying sound.

Paul Carr: One-half of Fuck Buttons returns with this taster from his forthcoming third album World Eater. On “Please”, Benjamin John Power demonstrates a lightness of touch as he manages to combine the ambiance of his early solo work with the heavier beats and more danceable rhythms of previous album Dumb Flesh. It’s a testament to his mastery of manipulating the space between notes to build a euphonious yet dizzying sound. It saunters to the edge of a cliff before dropping, chased by harder, edgier beats. Blanck Mass stops it from hitting the ground by cushioning the beats with bright, airy synths and looping, distorted vocals. Excellent. [9/10]

by Sarah Zupko

28 Feb 2017

Lost in Stars  pairs with Kid Moxie for a dream poppy electronic single, "All We Ever Wanted Was Everything".

Lost in Stars is the nom de plume of the British-born composer, writer, and poet Dylan Willoughby who now finds his inspiration in the stars of Hollywood rather than the green gardens of England. Willoughby took some time away from music to work on an MFA and focus on his writing, but music is a passionate siren, and it can easily lure the creative soul back to its beckoning waters. Willoughby may have been classically trained, but it’s electronic music that has always been his prime inspiration and on this new song “All We Ever Wanted Was Everything” one can hear his warm musical style and fine pop sense. Partnering often with singer Kid Moxie, Willoughby again uses her ethereal and dreamy voice to great effect on his new single.

by Jonathan Frahm

28 Feb 2017

Americana inspired by  the life of a flax farmer.

With the guitar and vocals of Matthew Zeltzer and Maria Maita-Keppler at their sound’s forefront, together with bassist Will Haas and drummer, Benjamin Nathan O’Brien, the American West concoct an authentic dust bowl vibe. The lead single from their upcoming album, The Soot Will Bring Us Back Again, “Roadsick Blues”, paints a desert rock soundscape. Featuring imagery redolent of a literal and figurative desolate road, it’s a captivating song of heartbreak that feels like true, blue Americana.

by Jessy Krupa

28 Feb 2017

The episode reveals  some key plot points in a family-themed episode that resolves itself far too easily.
Playing with fire: Crowley (Mark Sheppard) gets schooled by
his mother Rowena (Ruth Connell).

Dean: So where does that leave us?
Mary: Same as always. Family.
—“Family Feud”

Many Supernatural devotees will tell you that the show isn’t just about “saving people, hunting things”, but rather the power of family. From the first episode onward, the show has introduced and explored many different kinds of familial bonds, from the unconditional love between the two Winchester brothers to the deeply dysfunctional relationship between God (Rob Benedict) and the ultimate prodigal son, Lucifer.

by Sachyn Mital

28 Feb 2017

Drive-By Truckers gave  a sold out capacity crowd a powerful two hour set filled with scuzzy guitars and deeply political rock.

Drive-By Truckers wrapped up their 17 date winter tour with a three night run in their hometown of Athens, Georgia. Just before that however, the band played a two hour set to a capacity crowd at New York’s Webster Hall. Kyle Craft kicked off the night around 7:30 before Patterson Hood, Mike Cooley, Brad Morgan, Jay Gonzalez, Matt Patton wasted no time once they began around 8:30 quickly filling the venue with their scuzzy guitars and generously liberal political message.

Drive-By Truckers most recent album American Band (ATO Records) is their most political yet and has drawn a slew of critical adoration. The band led the show with two of the new tracks, “Surrender Under Protest” and “Darkened Flags on the Cusp of Dawn”, making it transparent they had a message to share. Introducing the racial-discussion of “What It Means”, Hood spoke on how he wrote the song a couple of years back using the murder of Michael Brown as some sort of guidance. But Hood admitted he finds the song is more relevant now given the remarkable rise in incidents of police shooting and killing black people. The lines “I mean Barack Obama won / And you can choose where to eat / But you don’t see too many white kids lying / Bleeding on the street” was even more tragic in the light of a Trump victory and the presumption he will reduce or destabilize gun control efforts.

//Mixed media

'Supernatural': Mary Comes Clean, Gavin Goes Home in the Middling "Family Feud"

// Channel Surfing

"The episode reveals some key plot points in a family-themed episode that resolves itself far too easily.

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