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Friday, Mar 27, 2015
Björk's New York City residency, about seven shows over two months plus a retrospective at MoMA, is a dream come true for fans and, fortunately at least, her live show delivers.

Björk, along with collaborator Arca, is currently nearing the end of a series of shows in New York City in support of her latest album, Vulnicura. After a couple of nights at Carnegie Hall and a couple at the new Brooklyn venue King’s Theater, Björk will wrap up the mini-residency at NY City Center (two performances remain). So far, every night has featured almost the entirety of Björk’s latest album Vulnicura, a breakup record, with the addition of the Alarm Will Sound string ensemble and Manu Delago on percussion. Although I had never seen Björk before, I know she’s a cutting edge artist on many levels—visually, fashionably, sonically. So it was no surprise to see some of her fans have a unique fashion sense of their own. Of course, their attire couldn’t be topped by Björk’s own—she had donned a unique spiky headdress from designer Maiko Takeda for the first half of her performance.


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Friday, Mar 27, 2015
The Indiana prog jam outfit Umphrey's McGee were given 12 hours in the legendary Abbey Road studios. The funky and groovy "Bad Friday" is one of the results of that fruitful time in the studio.

At the start of April, the South Bend, Indiana progressive rock band Umphrey’s McGee will release The London Session. Normally, when session albums are released, their title is in the plural: The Abbey Road Sessions, for instance. However, in Umphrey’s McGee’s case, the singular case is quite deliberate. These reputable prog-jammers had but 12 hours in Abbey Road, meaning that they had to make the absolute most out of a limited timeframe. Save for the vocal tracks, which had to wait until the band’s return to the states (“They are exceptional and efficient, but they are merely mortal after all,” says the album’s press release), these guys recorded a whole LP’s worth of music in those 12 hours. The London Session marks the ninth Umphrey’s McGee studio outing, and it finds these nimble jam-ready musicians playing as sharply as they’ve ever been.


Below you can stream “Bad Friday”, the first song to be released from The London Session.


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Friday, Mar 27, 2015
What's for tea, darling? Darling, I said, What's for tea? It's a 1967 pop-art masterpiece. You're going to choke on it, too. A pioneer in the art of the concept album is this week's Counterbalance.

Klinger: Over the last four-plus years, we’ve talked about the Who twice, back when we were taking on the Great List in numerical order—two albums that are highly iconic, yet markedly different both from one another and from the Who’s earliest work. And no matter what relationship I’ve had with the Who over the years (and I’m on record as being back and forth with the group to degrees that alarm even me), I will always be a champion of their pre-Tommy work. That’s especially true of The Who Sell Out, which is currently the 312th most acclaimed album of all time and one that I return to fairly regularly. Released in late 1967, The Who Sell Out is an ingenious concept album that came out at a time before concept albums were de rigeur for artistes of a certain temperament.


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Friday, Mar 27, 2015
Disorder might have something profound to say, but it certainly doesn’t know how to say it -- or through what genre.

Braid made it look easy: Take one part platformer, one part puzzler, sprinkle in some “deep thoughts” between the levels, and presto—instant critical and commercial acclaim. But Braid only made it look easy. The puzzle-platformer may have become the indie go-to genre of choice in the wake of Braid‘s success, but that doesn’t mean that those kinds of games are easy to make, especially if they, also like Braid, aspire to be about something greater than their puzzles and platforming.


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Thursday, Mar 26, 2015
The new LP from this British quartet, Danger in the Club, will be out on 5 May via Rough Trade.

The rambunctious indie rockers of the Palma Violets have announced the release of their new record, Danger in the Club, following a particularly eventful week at the 2015 South by Southwest music festival. After one spirited evening at the Parish venue, the band had to be forcibly removed from the stage for playing past the assigned curfew. For an audio sample of Palma Violets’ take on rock ‘n’ roll, as well as tour dates where you can catch their energetic live show, read more below.


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