Following the first teaser for Spectre, the latest installment of the James Bond series, the studio has now made available a video giving a brief glance behind the scenes of the flick’s cars, undoubtedly an integral part of any Bond picture. (“Integral” in that there are things that need to be made to blow up, cars ranking chiefly among them.) Below you can view the video, which shows some of the high-tech, exclusively-designed cars that will be seen in Daniel Craig’s latest turn as the MI6 rogue.
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In case you haven’t noticed, the summer movie season is upon us. In fact, many would argue that, with its stranglehold on the box office over the last four weeks, Furious 7 began what traditionally occurred between May and August of every year. Of course, when money talks, no one connected to the studio system walks; they run to the nearest script doctor and demand their piece of the plentiful pot.
This makes the months between spring and fall a free for all of repeats, remakes, sequels, serializations, copycats, and crap. The times both before and after those periods are dumping grounds, places for pictures that don’t have an easy selling point, an obvious (or appreciative) demographic, or enjoy a contractual obligation regarding a release, and/or any old write-off sitting up on the shelf.
In the second and third parts of The Charnel House Trilogy, the screen effectively gets black bars at the top and bottom of the screen. The effect conforms the field of view to match that of the train car by highlighting the length of the place and it’s enclosed nature. In doing so, the game creates a portal by which we look at the action through, highlighting how everything is framed as a performance to whomever is looking through that portal. Which is true of any game, really.
A mélange of rock styles come together in the music of the Vanity, a young project based out of Austin, Texas. In songwriting and guitar tone, elements of mainstream indie come through, as do some undercurrents of the blues. But whatever one hears in the Vanity’s music, there’s no denying that these five guys are a rising talent in Austin’s bourgeoning music scene; things are only looking up for them.
Andy McCluskey (OMD), Rob Kroehler (Ladylike), Jack Antonoff (fun.) and Andrew Dost (fun.) have formed a formidable pop collective for “A Million Stars”, a tune drenched in ‘80s sheen, which features on the soundtrack to the Jack Black and James Marsden comedy The D Train. McCluskey, Antonoff, and Dost harmonize together splendidly, no doubt due in part to the latter two’s proclivity for harmonized vocals in the music of fun. Above all else, though, it’s the stylistics of OMD that shine through most resoundingly on “A Million Stars”; both the chorus and the synths used throughout the tune are highly reminiscent of OMD’s most recent LP, 2013’s English Electric (which we here at PopMatters are big fans of).
In addition to his presence on “A Million Stars”, Dost is responsible for the original score to The D Train.