My 2009 was largely devoted to music-making (and the drinking of copious amounts of lagers) with too little time spent checking out new music. As a result, one of the big resolutions I made for 2010 was to hear more new works—at least a handful each week. It was ambitious, but, through the first month and change of 2010, so far so good. Certainly it takes time to fully digest some music in order to form an educated opinion and make any weighty decisions. But, well, weighty decisions are overrated anyway! So, I present to you my personal favorite jazz of 2010: a highly uneducated—and frequently irritable—compendium. (Note to readers: Keep an eye out for an upcoming piece on my least favorite jazz of 2010, which is much funnier.)
Favorite Piano Album:
Orrin Evans—Faith in Action (Posi-Tone)
I’ll be one of the first jazz fans to admit it: the jazz piano trio format usually bores me to tears and makes me value my Nation of Ulysses albums as if they were the last drops of Alagash Curieux in the universe (though, I usually do anyway). While there are certainly some phenomenal piano trio albums in the history of jazz—Oscar Peterson, Brad Mehldau, Bill Evans, to name a few—most of the trio albums I’ve heard in recent years were self-indulgent exercises in musical masturbation. They essentially served as demo recordings, creating a relatively inexpensive means for the pianist to obtain gigs and earn coveted positions in the bands of larger fish. That being said, young jazz tuna (the term “lion” is so overused!) Orrin Evans’ latest effort, Faith in Action, is one of the best trio recordings I’ve heard in recent time. I’ll cut to the chase: it’s accessible, filled with bluesy solos, swinging rhythms, and playful harmonies. Most importantly, this music is overflowing with emotion, passion, soul, and humor—and all from a trio! Drummer Nasheet Waits and bassist Luques Curtis kill.