Believe it or not, it’s been 20 years since a young independent filmmaker named Steven Soderbergh put the outsider genre on the map with Sex, Lies, and Videotape, his stunning Golden Palm win at the Cannes Film Festival. Even more amazing is the fact that he turned such an arthouse award into such a stunning run of mainstream success. Sure, he’s crafted such commercial hits as Erin Brockovich, Traffic, and the Oceans franchise, but he always goes back to a more “personal” style of filmmaking, branching off and exploring the medium in efforts like Bubble, Full Frontal, and his most recent turn, The Girlfriend Experience. Shot on digital and budgeted at a mere $1.7 million, this calm character study stands in direct contrast with his last film—the big, bombastic, and epic biopic Che! To say the two films couldn’t be more different would be an understatement. To say they represent the competing facets of Soderbergh’s artistic temperament would be right on target.
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Dan Brown has no real literary legacy. He’s the fast food of novelists, a summer beach read that pretends to say something profound about the secret state of organized religion. With books like The Da Vinci Code and Angels and Demons, he has extrapolated out stories that deal in centuries old conspiracies and the post-modern means of covering them up. Like Michael Crichton or John Grisham, he takes real elements within his subject matter and works up a whopper of a tale exposing them. Sadly, unlike the previously mentioned authors, his books read better than they play out on the big screen. This was especially true of Da Vinci. Now comes its sequel/prequel, an adaptation of Brown’s first Robert Langdon yarn complete with death, deception, and lots and lots of dialogue. While Angels and Demons surpasses its predecessor in every way, it’s still a sterile, inert thriller.
John Bergstrom recently said of the Pet Shop Boys new album Yes that “in an era when pop is going sour, it’s sweet and fresh. It’s the moment when Pet Shop Boys became relevant again.” The latest video from said release garnering a 7 from us is “Did You See Me Coming?”.
Well, this is sort of interesting. Remember a long, long time ago when a public outcry roared louder than police sirens in Baltimore on a Saturday night about the proposition of bailing out huge, corporate entities? “Oh, no. We just absolutely cannot afford to watch the government give out money to the auto industry time and time again. Those loan companies? Insurance agencies? Goodness, gracious. When will it stop?”
Well, as has been profiled throughout various media outlets recently, one place it isn’t going to stop at is the newspaper industry. Grumblings have recently surfaced that a new bill has been introduced to congress regarding the possibility of bailing out newspapers.
Wallpaper already remixed Passion Pit’s “Sleepyhead” (included below) and now they’ve tackled another tune, “The Reeling”. Producer Eric Frederic explains, “the song has fantastic call and response vocals with a children’s choir. When I heard that, I felt that an Afrobeat rendition of the song was the only option.” Upcoming Wallpaper tour dates are listed below as well.
Passion Pit remixed by Wallpaper
“The Reeling (Wallpaper Remix)” [MP3]
“Sleepyhead (Wallpaper Dio Remix)” [MP3]
May 21 Seattle, WA @ Neumo’s (Digg.com Meet Up)
May 29 San Diego, CA @ Beauty Bar
May 30 Phoenix, AZ @ Rogue Bar (Shake!)
May 31 Las Vegas, NV @ Beatles Revolution Lounge at The Mirage
Jun 06 Mountain View, CA @ Live 105’s BFD Festival at Shoreline Amphitheater
Jun 12 San Francisco, CA @ Rickshaw Stop (Blow Up)
Jun 19 Brooklyn, NY @ Studio B (Yikes! w/ Thunderheist)
Jul 25 Sacramento, CA @ A To Z Greens
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