{fv_addthis}

Latest Blog Posts

by Katharine Wray

30 Oct 2009

Happy Halloween! LA-based band Sea Wolf just put out a campy, romantic video for “Wicked Blood”, and to round out the theme of the season, Sea Wolf will be contributing to a Twilight: New Moon event on November 6 at the Hollywood & Highland complex in LA with Death Cab For Cutie, Anya Marina, and Band of Skulls.

 

by Ashley Cooper

30 Oct 2009

The Fourth Kind, a provocative thriller set in Nome, Alaska, is the story of psychologist Dr Abigail Tyler (Milla Jovovich) and the videotaped sessions she made with traumatized patients. In the tapes, based on actual case studies, evidence of an disturbing alien abduction emerges. Spooky, no?

by Katharine Wray

30 Oct 2009

Jack Splash, who’s produced for industry heavyweights like Alicia Keys, Cee-Lo, and John Legend, has just released “In the Future (ft. Kelis)” from his upcoming mix tape, Heir to the Throne, Vol. 1. This track definitely delivers something new and funky. The synth beats urge you to sing along, whether or not you know the words. Club kids, make up some new steps for this infectious jam.

Jack Splash
In the Future (ft. Kelis) [MP3]
     

 

by shathley Q

30 Oct 2009

In the 1998 hardback collection of Batman: The Long Halloween original series artwork is replaced by a spectacular two-page spread. This is the closing issue of the 13-part series, the second Halloween issue in the year-long mystery that consumed Batman in his early days. Readers are treated to a framing of Batman they have not seen for the entire run of the series. Here is a Batman that is standing tall, a Batman that dominates the page. A Batman that is completely in control. Yet, in keeping with the themes of The Long Halloween this is also a Batman that is dwarfed by the cityscape that stands as background. Here is a Batman that is both dominant, and daunted. The weight of an entire city seems to reach out and crush him in artist Tim Sale’s magnificent rendering.

Annotations to the 1998 hardback’s second appendix suggest that, given the prestige of the edition, editors Bob Kahan and Rick Taylor believed the story’s ending should refocus the roles the three lead characters (Bruce Wayne’s Batman, soon to be Police Commissioner Jim Gordon, and disgraced DA Harvey Dent). Writer Jeph Loeb’s original ending, wherein two monstrous serial killers (Holiday and the Calendar Man) have a battle of wills from inside glass cages at Arkham Asylum, was eventually redacted. It would be replaced with a concise retelling, in captions, of Batman’s origin story, supported by Sale’s spectacular urban vista.

Sale’s artwork elegantly summarizes the themes of The Long Halloween in a compact visual statement. This book plumbs the same depths as Frank Miller’s definitive classic Batman: Year One. More than telling the origin of Batman, the Loeb/Sale work fleshes out the reason Gotham needed a Batman. Batman was a response to pandemic gangsterism and rampant civil corruption. Ironically, these social ills were quickly quelled by the presence of the Batman. But in attempting to defeat the Batman, the Falcone crime family hired and gave free reign to the super-criminals that would eventually come to be Batman’s Rogues’ Gallery. This second scourge would be one that not even Batman could quell. Their ghosts would haunt his beloved Gotham still. In a twisted sense, the Long Halloween, the era that birthed the super-criminals, would never end.

by Eleanore Catolico

30 Oct 2009

Listen to Air France’s reshaping of Brit-pop group Saint Etienne’s “Spring”, from their re-released Foxbase Alpha, at their MySpace. If you dig this song then be sure to get Saint Etienne’s limited edition 12” (only 200 copies available) through the band’s fan club.

//Mixed media
//Blogs

How It Slips Away: 'The Breaking Point' Crosses Hemingway With Noir

// Short Ends and Leader

"Whether we've seen or read the story before, we ache for these sympathetic, floundering people presented to us gravely and without cynicism, even when cynical themselves.

READ the article