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by shathley Q

15 Jun 2009

Following the cataclysmic events of the previous issue, Kyle Rayner returns to Earth not as the universe’s sole remaining Green Lantern, but as the supercharged Ion. His new powers make him near omnipotent, giving control over all matter and energy conversions. He can speed up chemical reactions, just as easily as he can suspend gravity, or cause a mind to not pick up a rock to throw. What’s more, using the Ion, Kyle can duplicate his presence multiple locations. Within the first few pages of the comicbook, Kyle has feed starving masses in Africa, restructured soil there to allow for crops to grow, prevented a drive-by in Oakland, slowed a careening truck in Mexico, DF and foiled a bank heist in London. His power is at once incredible, and fearsome.

Instead of focusing on the exhilaration of Kyle’s newfound powers, writer Judd Winick chooses to present “Day One” as a character study of Kyle himself. Readers easily dismiss the early fears of supporting characters, particularly the fears of Jen, Kyle’s girlfriend and daughter of Golden Age Green Lantern, Alan Scott. Surely it is simply a case of other characters being unable to comprehend the full scope of Kyle’s powers. Surely the Kyle Rayner readers have come to know over the past 100 issues remains unchanged?

As the pages turn, readers find increasing validation for Jen’s fears. If Kyle could easily, and perhaps innocently, “suggest” to his roommate’s subconscious the desire to buy coffee, what else is Kyle doing to manipulate human minds? Is Ion suddenly becoming a beloved superhero a natural response, or is Kyle himself nudging public opinion? As these question’s around Kyle’s influence and values mount, his dark side is glimpsed at when he brokers a peace on the distant planet Tendax by simply preventing any act of violence. To what lengths would Kyle go to ensure peace? And at what cost to personal freedom would such an enduring peace come? Is this the beginning of Kyle’s transformation into a tyrant with universe-wide reach?

In the closing stages of the book, wholly unaware of the events on Tendax, Jen stages an intervention. Can Kyle prove his humanity to her by foregoing his power for just one night. Ultimately Jen concedes the point of his simple vanity in giving himself a haircut is the most human of things to do. The book ends on a melancholy note as Kyle and Jen enjoy a movie together, with Ion nowhere in sight. It is not until the final page that Kyle himself confirms Jen’s and readers’ worst fears. He has not only lied about using his power, but is now completely addicted.

by Matt Mazur

15 Jun 2009

Katey Rich (Cinemablend) and Nathaniel Rogers (The Film Experience) take on the finest offerings of the year, so far, in an engaging, funny vodcast.

by Joseph Kugelmass

15 Jun 2009

Over on MySpace, a scruffy little band called the Heaps emerges from the flaming wreckage of Elvis Costello (now spending several lifetimes in the purgatory of talk show hosting) and Belle & Sebastian (or, How I Found God and Lost Most of My Audience, by Stuart Murdoch) to make two irresistible songs: “Casual Encounters” and “William Baldwin: A Lament”.

The other posted songs work well enough, but these first two gems are not only tuneful, they’re therapy for the unbearable lightness of pop culture and Craigslist. Have a listen.

The Heaps
“Casual Encounters” and “William Baldwin: A Lament” [Streaming]

by Sachyn Mital

15 Jun 2009

While a free show at 2 pm on a weekday in the tourist-teeming Rockefeller Center from a multiplatinum musician should draw a huge crowd, Moby’s small acoustic performance at the NBC Café had only been briefly mentioned on his website so people were not packed shoulder to shoulder. Those folks ‘in the know’ and those fortunate enough to be there all witnessed an intimate showcase with Moby as he played a grab bag of songs and humbly chatted in-between.

When not creating music, Moby has made occasional guest appearances at NYC’s comedy venue the Upright Citizen Brigade Theater. At the café, he got to share some of this lighter side. In between songs, Moby jokingly stated that the first goal of showmanship is to interrupt a song as often as possible, or rather during, switching from piano to guitar or when part of a song eluded him. The intimacy even allowed him to offer sandwiches and fruit from the green room to the audience.

Accompanying Moby was Kelli Scarr, his friend and former lead singer of Moonraker. She has lent her talents to his forthcoming release, Wait for Me and in return he is producing her debut release Piece. Scarr’s warm voice substituted for the old gospel very well on “Natural Blues” and “Honey”. She also sang the title track from his new album and “Southside”.

Moby also sang a couple of covers for which he requested help from the audience. People eagerly sang “doo doo” in Lou Reed’s “Walk on the Wild Side” and vocalized the trumpet within Johnny Cash’s “Ring of Fire”.  Finally, despite requests to play all day, Moby ended his brief show with a Neil Young cover. Clocking in at around 45 minutes, the show was a great way to spend a lunch break. Seeing an artist in a venue where the sound of a blender can overpower the singing makes a person feel a part of something special.

by Rich Kassirer

15 Jun 2009

In the past couple of years musicians who have decided to free themselves from the corporate structure of the music industry have come up with creative ways to finance their albums. One way they’ve done this is by offering their fans special deals in exchange for some help with funding. This has included exclusive meet-and-greets, autographed items, special concert seating, and even personalized house or backyard concerts for top donors.

Well, Erin McKeown has taken her house concert idea to someplace totally new: her house. Erin is offering up a series of concerts at her own house in Western Mass., and is inviting fans to join her over the Internet. In what she is calling Cabin Fever, Erin will play four shows from various places in her yard, all with different themes, and is asking people to pay $10 per show to stream it live on her site. A cost of $30 will get you all four shows. This is all to benefit the recording and release of her new album “Hundreds of Lions.”

She writes: “In the grand tradition of barn-raisings and house-rent parties, Erin McKeown is inviting you into her living room, onto her porch, into her river, into her yard and asking you to lend a hand… just as farmers needed their neighbors to help raise the roof and musicians have sung for their supper.”

//Mixed media
//Blogs

The Moving Pixels Podcast Looks at the Scenic Vistas and Human Drama of 'Firewatch'

// Moving Pixels

"This week we consider the beautiful world that Campo Santo has built for us to explore and the way that the game explores human relationships through its protagonist's own explorations within that world.

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