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Tuesday, Jul 17, 2007

Originating in 1979, the Beastie Boys are still turning out new and great music to this day. Combining rock and punk with rap, the Beastie Boys achieved fame, reaching Rolling Stone’s “100 Greatest Artists of All Time” at #77. On June 26th, they released their latest album, The Mix-Up, an album of only instrumental songs.


Off The Grid from The Mix-Up:


An earlier hit, Sabotage:



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Tuesday, Jul 17, 2007

Musings on the Ethics of Contemporary Journalism


I abhor online predators like any ordinary parent, teacher, police officer, or citizen. They represent a fissure in our society that undermines the foundation of our communities. That foundation rests on trust, and predators poison that trust. However, apprehending them is best left to law enforcement officials and not journalists. When the two entities conspire together, as they have in MSNBC Dateline’s To Catch a Predator, lapses in journalism ethics are inevitable. 


Online predation is so repugnant and emotional it elicits visceral reactions from law-abiding citizens, including police and journalists, who are human too. They have emotions that are sometimes hard to check. Having respect or summoning sympathy for someone who sexually preys on adolescents is beyond difficult. However, that’s not what is worrying many journalists because most can empathize with Chris Hansen, the show’s host, as he withholds his emotions while snagging predators.


However, what they cannot understand are Hansen’s methods, and many are asking for more ethical common sense. The profession and public deserve that as much as the suspects, their victims, and their families. Journalism is also founded on trust, and when that trust is undermined due to questionable newsgathering tactics, one must ask if the ends justify the means. Most citizens and journalists want these predators behind bars; the question is how to place them there, not whether they belong there.


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Monday, Jul 16, 2007


Hey! How’s it going? Long time, no see. Everything okay? Good. Glad to hear it. Sorry we’ve been away for the last couple of weeks, but when the digital domain can’t be bothered to provide the home video enthusiast anything other than recycled rejects and mindless merchandising, there’s no reason to help in their senseless shill. Indeed, had SE&L decided to struggle on with regular updates of any and all DVD releases, we’d be championing crappy independent horror, oddball double feature combinations, and more than one bottom of the barrel Z-list title. So we sat back and waited – waited for a Tuesday when things weren’t unbridled bilge. And so, here we are again. Granted, there’s still some god awful gunk here (just say no to more mutant mayhem – Wes Craven), but for the most part, 17 July provides a few forgotten gems, including our choice for product du jour:


Ace in the Hole: The Criterion Collection


Billy Wilder often said that he never cared about genre or style. He just made movies of the kind he himself would like to see. This 1951 attack on the Fourth Estate, starring Kirk Douglas as a reporter who turns the story of a man trapped in a mine collapse into the original ‘media circus’, is a perfect example of this creative mantra. Mixing elements of comedy, drama, noir and the thriller, we soon realize that nothing much has changed in the press over the last fifty years. Publicity breeds corruption, the possibility of the spotlight (and the profits that can be generated from same) taking priority over morals, precedence, and life itself. The film alone would warrant an easy DVD decision, but thanks to those practicing preservationists over at Criterion, we get a much better window into what Wilder was aiming for (via a clever commentary and a series of interviews), as well as why the film remains as effective now as it was a half century ago. Apparently, art is timeless. The proof is right here for all to see.

Other Titles of Interest


Factory Girl


The story of Andy Warhol’s Factory – a literal bohemian oasis amid ‘60s Manhattan’s cosmopolitan cool – is, apparently, an elusive entertainment ideal. Several semi-successful films have been made about the various infamous personalities linked to the effete artist, this take on the tragic Edie Sedgwich being one of them.  Surrounded by controversy both during and after production, the results are uneven but intriguing, even if just from a fictional historical perspective.

The Hills Have Eyes 2


Wes Craven needs to have his horror credentials revoked – and we mean NOW! As he continues to whore out his legacy for the almighty dollar (he’s currently directing a remake of his own Shocker), he’s forgotten how to be relevant in the realm of fear. Responsible for the script of this terrible re-quel, the former fright king believes that mutant rapists and bungling army dullards equal stellar scare stuff. In truth, it’s one of the worst movies of 2007.

Okie Noodling


It’s a unique practice, and some say, a culturally significant tradition. In the lakes and rivers of Oklahoma, a distinctive brand of backwoods sportsman practices the time honored art of “noodling” – catching giant catfish with their bare hands. While many do it for food, others merely enjoy the danger and thrill of the kill. A long time cult favorite, DVD will hopefully open up this documentary - and its bizarre practices - to a larger mainstream audience.

Raymond Bernard – Eclipse Series 4


In what seems to be a neverending line of important French filmmakers, this more or less forgotten auteur remains incredibly significant. Helping to formulate the country’s cinema as it emerged from silents into the sound age, this Criterion Collection subdivision release offers two of his most significant works – an anti war epic (Wooden Crosses) and the adaptation of a literary classic (Les Miserables). Unfairly overlooked by scholars, here’s hoping the set jumpstarts his renaissance.

Yo Yo Girl Cop


She’s a kid. She’s a cop. And she uses a common playground toy as her weapon of choice. A revamp of a classic Japanese franchise from the ‘80s, this update boasts a more serious subtext (our heroine must stop student terrorists bent on bringing Japan to the point of anarchy) and amazing action sequences.  And where else but in a film like this would you find a credit for a ‘Yo Yo Director’?


And Now for Something Completely Different
The Happy Hooker Trilogy


For those too young to remember it, the release of Xavier Hollander’s autobiography The Happy Hooker: My Own Story in 1971 was a sensationalized scandal. As a madam and former call girl, the Dutch East Indies born beauty lifted the veil on sex for sale, and argued that pleasure for pay could be safe, erotic and positive. Naturally, the post-free love era wasn’t ready to be pushed that far, and the backlash made her an instant pariah – and highly sought after personality. Soon, her tell-all tome was being made into a film (Lynn Redgrave essayed the role of ecstatic whore), but the tone was tweaked away from significance and more toward kitsch. By the time the two sequels came along – The Happy Hooker Goes to Washington (with Joey Heatherton in the lead) and The Happy Hooker Goes to Hollywood (with Martine Beswick) – the series was nothing but pure camp. Finally available on DVD, these tame artifacts of a bygone era remind us that the subject of human horniness has come a long way in the last three decades – for better and for worse.

 


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Monday, Jul 16, 2007

This is the first of what I hope will be a series of short looks at books from academic presses which I think might interest a wider readership. In each, there will be first a mini-review, and then a brief interview with the author.—JBJ


Impotence: A Cultural History
by Angus McLaren
(University of Chicago Press, 2007)


Laughing at erections is the province of middle- and high-school humor; laughing at impotence is a more adult entertainment. In the Friends episode, “The One with Monica’s Thunder,” Chandler has a momentary loss of power.  Shaken, he asks Joey if it’s ever happened to him.  Joey says, sure—happens to everybody.  Not a problem.  But when Chandler asks what he does in those situations, Joey’s answer leaves him even more disturbed: “Do it anyway.” 


This brief scene illustrates a central difficulty with conversations about erections and impotence: Questions of definition abound.  What looks like a simple question—am I hard or not?—turns out to have a long and interesting backstory.  Angus McLaren’s new book, Impotence: A Cultural History (University of Chicago Press, 2007), surveys Western approaches to erection, impotence, and infertility since the Greeks.  And these approaches are shockingly different.  An early Christian culture emphasizing celibacy, for instance, is necessarily going to take a very different view of impotence than is, say, a late-Victorian one worrying about the decadence of the West.


Impotence is a fascinating book, one that easily sustains its most basic claim, which is that “every age has turned impotence to its own purposes, each advancing a model of masculinity that informed men if they were sexual successes, and if not, why not.”  Despite the presence of a blurb from Dr. Ruth on the back cover, McLaren is a refreshingly low-key guide to the vicissitudes of impotence.  The book is almost unmissable for its extensive cataloging of tests (“fifteenth-century English courts sometimes employed ‘honest women’ to examine the man”) and treatments (ranging from the implantation of monkey and goat glands, to the construction of mechanical scaffolding, to various forms of pastes, salves, and unguents, applied topically, orally, or anally).


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Monday, Jul 16, 2007
by John McCormick

PORTSMOUTH, N.H.—Stealing a page from Oprah Winfrey—his close friend and fellow Chicago celebrity—Sen. Barack Obama launched book clubs in a dozen New Hampshire towns and online last week.


His life story is the first topic of discussion.


With their assigned reading being Dreams from My Father, Obama’s best-selling memoir that has become his unofficial campaign handbook, a small group of his followers settled in at the SecondRun used bookstore in this coastal city for a two-hour discussion.


The Portsmouth gathering was amid an initial round of meetings that evening that was part of a new campaign initiative meant to better inform people about Obama and build interest in his presidential bid.


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